English fiction -- 20th century; Short stories, English
None of them was more keenly aware of it than Fell, though he
attributed the weakness that was overcoming him to a particular source.
For here, with the arm of his chair almost touching that of Lady
Ulrica’s, he was planning an interview with Phyllis that held no least
hint of the renunciation of love. He was giving way freely and without
reserve to his dream. Moreover, he had a curious sense of instant
accomplishment, as if at that very moment his spirit and the spirit of
Phyllis had touched and coalesced. He was drifting into far heights
of remote and supernal ecstasy, when the thin, high voice of Harrison
recalled him to earth; and he started as though, on the verge of sleep,
he had been brutally jarred and awakened by the violent slamming of a
door.
“Hm! hm! Well, Vernon,” Harrison said. “We’re all waiting for that
statement of your case.”
Vernon’s chair creaked slightly as if he had suddenly leaned forward.
This moment of their beginning, when by some undivinable act of common
consent all oppositions had been temporarily relinquished and they were
agreed at least to listen, was, also, the moment of greatest darkness.
Presently the moon transmuted from copper to brass would rise above
the house and give validity and form to all that was now being created
in the profundity of the night. But when Vernon began to speak, he was
hidden from them; they realised him only as a voice, that issued with a
steady and increasing definition out of the silence and the shadows.
He talked well, pleading without passion for an unprejudiced
examination of all the new “facts” in psychical research. He had
a scholarly knowledge of his subject and gave his instances and
authorities, building up as it seemed to Lady Ulrica, to Fell, and even
to Greatorex, a case that it would be very hard to knock down.
Not once did Harrison interrupt him, and during Vernon’s occasional
pauses the immense stillness of the night seemed to close in upon the
little group under the cedar with a sudden intensity. The slender
stream of his steady speech was like a little candle, burning
delicately in the darkness, and when it was extinguished, his listeners
were freshly aware of themselves and their surroundings. In those
moments of almost painful silence, they sought to recover their
consciousness of the familiar world by restless movements and faint
articulations. Chairs creaked, someone sighed, and once Greatorex
rather brutally coughed.
Nearly at the end of his long speech, however, Vernon’s tone became
more emotional. He was talking, then, of materialisations and of the
strange and as yet unrecognised form of matter--provisionally known as
the ectoplasm or teleplasm--that issues from the body of the medium, is
manifested in visible forms that can be successfully photographed, and
can handle material objects.
Public-domain text, read in full here on John Shaqi.
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