English fiction -- 20th century; Short stories, English
“I--I don’t see why I should,” Harrison replied. “I don’t see the
necessity for it. I--I’m not convinced, by any means, of the validity
of your examples. At present, I am content to go on with the enquiry
without formulating any theory. I contend that the evidence up to the
present time is insufficient to theorise upon.”
“Ah! well, there’s a lot more coming,” Vernon replied, and for the
first time a real note of passion crept into his voice. “Don’t you
realise that all these developments taken together are just the first
stages of the knowledge that is coming to us? They are symptoms, that’s
all, of the new trend in the evolution of mankind; of the coming of
the new age--the age of the Spirit. The days of materialism are nearly
spent, and the next generation will smile at our feeble tentatives.
“Do you ask me how I know? Well, I can’t tell you in terms that you
can understand. The best part of my knowledge is intuitional, but
intuition, even mysticism, must no longer be divorced from science
and intellect. That, I feel, is the essential synthesis of the new
doctrine. We are going to produce our material proofs; in the future
religion and science will become one.”
“My own opinion, precisely,” said Lady Ulrica.
But Vernon’s homily had proved a little too much for Harrison. He tried
to speak and could not control the pitch of his voice, which soared
ineffectively to a falsetto squeak.
“Er--er--I--I ...” he began, and had to get to his feet before he could
attain coherence. Then he started again with “No, no! It’s incredible
nonsense that--the kind of religion foreshadowed by spiritualism--could
ever appeal to sensible men and women. Are we to be expected to listen
to the drivelling platitudes of some supposed spirit communicating
through an illiterate old woman with the further interposition
of a ‘control,’ speaking pigeon English and imitating the worst
sophistications of a spoilt child? No, no, positively I can’t take that
kind of nonsense seriously. I--I have no sort of desire to imitate the
credulity of Lodge, Barrett and Crookes--no sort of desire. I--I--it’s
absurd. I’ve no patience even to talk about it. Who is coming to look
at the moon?” And without waiting to receive any response to his
invitation, he turned his back on the cedar and strode out, a perturbed
and impatient little figure, into the light of the open garden.
The other six followed him in a straggling procession.
Emma Harrison was obviously relieved that the discussion was at an
end. “I said it would only end in recriminations,” she explained to
Greatorex, who looked about seven feet high in contrast with her
diminutive slenderness. “Charles never can keep his temper about that
subject. And I did think it was very splendid of him to keep it as long
as he did. We can’t do with all that nonsense. Can you, Mr. Greatorex?”
Public-domain text, read in full here on John Shaqi.
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