The day after the minister left his home, Abby was sitting in the room
where her aunt Parris had sung at her work that night when the forest
woman found her sewing so quietly. The young girl sat by the open
window, in the very chair where her mother died. She was busy knitting
on one of those long seamed stockings, which were an important portion
of the male dress in those times. Two balls of yarn lay in her lap, gray
and white, with which she striped the stocking, seaming it every three
stitches. She was expert with her needles, and did not look at them, but
sat gazing out into the calm summer day, peacefully as her aunt had
done, but with a touch of sadness in her face; for, as her aunt had
thought of her unborn babe years before, she was thinking of Elizabeth
now.
In those tender thoughts, and in the monotony of her work alone, Abby
Williams resembled her aunt. The tropical bird and the wood pigeon had
as much likeness in every thing else. The young girl was singular and
picturesque. In her person was blended all the beauty of two distinct
races, but in every thing the grace of civilization predominated. The
delicacy and lustre of her mother's beauty were all present, moulding
the features into exquisite grace, lending a soft, purplish blue to
those bright eyes, and scattering gloss and bloom among the folds of
those heavy tresses. The contrast of her eyes with the black brows and
lashes gave a beauty to the face even more attractive than the rich tint
of her complexion or the peachy richness of her cheek. The refinement of
civilization and the lithe grace of the panther were blended in her
person. Her very repose was eloquent of deep tenderness, and of fierce,
slumbering passion. When these antagonisms came in contact, that young
girl's character would break forth in all its powers of good and evil;
at present, she was only an humble maiden at her work, lonely and a
little sad, but at peace with all mankind.
As she worked, Tituba, the Indian woman, came in and out from the
kitchen, making vague pretences, as it seemed, only to look on the young
girl at her work. She did not speak once, for Abby was gazing afar off
into the shadows of the forest as if her fate lay there, and she was
striving to unravel it with her glances.
At last the sun went down, and old Tituba came into the room again,
chanting an Indian death-song inexpressibly mournful and sweet, which
mingled so sorrowfully with the girl's thoughts that she dropped her
knitting and leaned back in the great-chair, sighing heavily.
Public-domain text, read in full here on John Shaqi.
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