Yet now that his sale had been consummated and he had the money he needed, Bunker Hill suddenly lost all interest in Denver and retired into his shell. He had invited Denver once to come down to his house and share the hospitality of his home; but, after Denver's brusque, almost brutal refusal, Old Bunk had never been the same. He had shown Denver his claim and stated the price and told a few stories on the side, but he had shown in many ways that his pride had been hurt and that he did not fully approve. This was made the more evident by the careful way in which he avoided introducing his wife; and it became apparent beyond a doubt in that tense ecstatic minute when Drusilla had come in from the garden. Then, if ever, was the moment when Denver should have been introduced; but Bunker had pointedly neglected the opportunity and left him still a stranger. And all as a reward for his foolish words and his refusal of well-meaning hospitality. Denver realized it now, but his pride was touched and he refrained from all further advances. If he was not good enough to know Old Bunker's family he was not good enough to associate with him; and so for three days he lived without society, for the Professor, too, was estranged. He passed Denver now with eyes fixed straight ahead, refusing even to recognize his presence; and, cut off for the time from all human intercourse, Denver turned at last to his phonograph. The stars had come out in the velvety black sky, the hot stillness of evening had come, and from the valley below no sound came up but the eerie, _eh_, _eh_, _eh_, of tree toads. They were sitting by the stream and in cracks among the rocks, puffing out their pouched throats like toy balloons and raising, a shrill, haunting chorus. Their thin voices intermingled in an insistent, unearthly refrain as if the spirits of the dead had come again to gibber by the pool. Even the scales and trills of Drusilla had ceased, so hot and close was the night. Denver set up his phonograph with its scrollwork front and patent filing cases and looked over the records which he had bought at great expense while the other boys were buying jazz. He was proud of them all but the one he valued most he reserved for another time. It was the "Barcarolle" from "Les Contes D' Hoffmann," sung by Farrar and Scotti, and he put on instead a tenor solo that had cost him three dollars in Globe. Then a violin solo, "Tambourin Chinois," by some man with a foreign name; and at last the record that he liked the best, the "Cradle Song," by Schumann-Heink. And as he played it again he saw Drusilla come out and stand in the doorway, listening.