Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
Michael, as he gradually took in the features of Smithers’ room, began
to feel very much ashamed of himself. He recognized the poverty that
stood in the background of this splendid “college career” of Percy or
Clarence or whatever other name of feudal magnificence had been awarded
to counterbalance “Smithers.” No doubt the champagne in gradual
reaction was over-charging him with sentiment, but observing in turn
each tribute from home that adorned with a pathetic utility this bleak
room dedicated for generations to poor scholars, Michael felt very much
inclined to detach himself from the personal ragging of Smithers and go
to bed. What seemed to him in this changed mood so particularly sad was
that on the evidence of his books Smithers was not sustained by the
ascetic glories of learning for the sake of learning. He was evidently
no classical scholar with a future of such dignity as would compensate
for the scraping and paring of the past. To judge by his books, he was
at St. Mary’s to ward off the criticism of outraged Radicals by
competing on behalf of the college and the university in scientific
knowledge with newer foundations like Manchester or Birmingham.
Smithers was merely an advertisement of Oxford’s democratic
philanthropy, and would only gain from his university a rather inferior
training in chemistry at a considerably greater personal cost but with
nothing else that Oxford could and did give so prodigally to others
more fortunately born.
At this point in Michael’s meditations Smithers woke up, and from the
bedroom came a demand in startled cockney to know who was there. The
reformers were just thinking about their reply, when Smithers, in a
long nightgown and heavy-eyed with sleep, appeared in the doorway
between his two rooms.
“Well, I’m jiggered!” he gasped. “What are you fellers doing in my
sitting-room?”
It happened that Cuffe at this moment chose to take down from the wall
what was probably an enlarged portrait of Smithers’ mother in order to
examine it more closely. The son, supposing he meant to play some trick
with it, sprang across the room, snatched it from Cuffe’s grasp, and
shouting an objurgation of his native Hackney or Bermondsey, fled
through the open window into the deer-park.
Cuffe’s expression of dismay was so absurd that everybody laughed very
heartily; and the outburst of laughter turned away their thoughts from
damaging Smithers’ humble property and even from annoying any more
Smithers himself with proposals for his reformation.
“I say, we can’t let that poor devil run about all night in the park
with that picture,” said Grainger. “Let’s catch him and explain we got
into his rooms by mistake.”
“I hope he won’t throw himself into the river or anything,” murmured
Sinclair anxious not to be involved in any affair that might spoil his
reputation for enjoying every rag without the least reproach ever
lighting upon him personally.
Public-domain text, read in full here on John Shaqi.
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