Sir Christopher Wren : $b Scientist, scholar and architectWeaver, Lawrence
History
Sir Christopher Wren : $b Scientist, scholar and architect
Weaver, Lawrence
Architects -- England -- Biography; Wren, Christopher, Sir, 1632-1723
In nothing did the sweetness of Wren’s nature so clearly appear as in
his relations with Robert Hooke, a sour philosopher and, it would seem,
a disloyal fellow. Hooke was at Westminster just before Wren and ran
second to him all his life. If Elmes’ view of the case be true, Hooke
picked up Wren’s ideas, developed them and tried to take all the credit
of them, and was a bad colleague generally. He quarrelled with Newton,
disputed with Flamsteed, and was snubbed by the Royal Society when he
did a design, unasked, for their home which was promptly rejected and
Wren asked to do it instead. He was always in hot water and incurably
unpopular, but Wren stuck to him. When an assistant was needed in the
great labours which followed the Fire, Wren appointed Hooke to measure
and set out the ground of all the “private street houses,” but was wise
enough to keep the Public Works in his own hands.
Wren was delightfully loyal to the contractors whom he employed. He
must have been on intimate terms with Edward Strong, master mason
at St. Paul’s and elsewhere, for he sent young Christopher abroad
in charge of Strong’s son. He gave the buildings he liked best to
the few men he most trusted. Strong and Christopher Kempster did St.
Stephen’s Walbrook; Strong did the delightful brickwork at St. Benet
Paul’s Wharf, St. Augustine’s, St. Mildred’s, and several others. On
the fifty churches only thirteen joiners and ten plasterers received
contracts. All the coppersmith work, except at two churches, was done
by one Robert Bird. My publication of the accounts of the City churches
destroyed all manner of vain fancies as to the employment of Dutch
joiners and Italian plasterers in their building. When Wren found a
good English workman he employed him steadily, and only went to a
foreigner like Tijou for the miraculous ironwork at St. Paul’s, Hampton
Court, and elsewhere when he was a notable artist and far superior to
his English colleagues.
[Illustration: PLATE XIV
THE ST. PAUL’S DEANERY PORTRAIT.
A copy of the Kneller in the National Portrait Gallery.]
As an example of the way Wren was trusted, it is worth noting that when
Flamsteed was bickering by letter with Cassini, the French astronomer,
and accusing Halley of disingenuous practices and praying God to make
Halley sensible of his faults, the peaceful Wren was called in as
umpire.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account