Professor Bose has been long engaged in researches on the "Irritability of Plants," with results of great interest. These results have been made possible by the invention of a series of instruments of extraordinary precision and delicacy. Some of Professor Bose's instruments measure and record a thousandth of a second. Invisible movements in plants, hitherto beyond human scrutiny, have been brought within the range of immediate perception through the wonderful devices shown by the lecturer's demonstration of same on the screen. Among those present were:--Sir William and Lady Duke, the Maharaja of Nashipur, Sir Gurudas Bannerjee, Sir Chundra Madhab Ghose, Sir Lawrence and Lady Jenkins, Sir Richard Harington, Hon. Mr. P. C. Lyon, Mr. Justice Holmwood, Mr. Justice Chaudhuri, Hon. Mr. S. L. Maddox, Maharaja of Cossimbazar, Hon. Dr. Kuchler, Mr. Bhupendra Nath Basu, Hon. Mr. E. W. Collin, Mr. W. Graham, Mr. Fraser Blair, Hon. Mr. B. Chuckerbutty, Hon. Mr. J. G. Apcar, Hon. Mr. B. C. Mitter, Hon. Rai Radha Charan Pal Bahadur, Hon. Dr. D. P. Sarbadhikari, Mr. and Mrs. Williams, Mr. L. P. E. Pugh, Mr. Lanford James, Dr. P. K. Roy, Khan Bahadur Moulvie Mahomed Yusuf, Rai Bahadur Dr. Chunilal Bose, Mr. W. J. Simmons, Mr. and Mrs. J. H. Hechle, Principal H. R. James and Mrs. James, Mr. T. J. Waite, Dr. P. C. Roy and Rai P. N. Mukherji Bahadur. His Excellency, as President, called upon Dr. Bose to deliver his lecture. Professor Bose commenced with a reference to the claims made by those who profess to discriminate character by handwriting. As to the authenticity of such claims, scepticism was permissible; but there was no doubt that one's handwriting might be modified profoundly by conditions, physical and mental. There still existed, at Hatfield House, documents which contained the signature of the historical Guy Fawkes. A photograph projected on the screen showed a sinister variation in those signatures. The crabbed and distorted characters of the last words which Guy Fawkes wrote on earth told their own tale of that fateful night. Such was the tale that might be unfolded by the lines and curves of a human autograph. Could plants be made similarly to write their own autographs revealing their hidden story? Storm and sunshine, the warmth of summer and the frost of winter, drought and rain, would come and go about the plants. What subtle impress did they leave behind? How were the invisible, internal changes to be made externally visible? AUTOMATIC RECORDERS