Flower, William Henry, 1831-1899; Zoologists -- Great Britain -- Biography
emphasise this essential distinction, he caused the skeletons and models
of the one group to be mounted with their heads in one direction, while
those of the second were turned the opposite way.
Although it was found impossible to obtain a skeleton of the Greenland
right-whale, Flower was able to persuade Captain Gray, a well-known
whaler, to carve a miniature model in wood, which gives an excellent
idea of the proportions, especially the huge size of the head and mouth,
of this interesting species. Sketches on the walls of the building
illustrate the habits and mode of capture of the sperm-whale, while
others serve to show the bodily form of species not yet represented by
models.
At the time it was opened this exhibit was absolutely unique; and, in the
belief of the writer, it remains so to the present day. Unfortunately,
the size and design of the building, which has a row of wooden posts down
the middle, are such as greatly to interfere with the proper effect of
the specimens exhibited; and it is much to be hoped that means will be
found to erect a larger gallery, of a more permanent nature, which will
not only allow the contents of the present structure to be adequately
seen, but will likewise leave space to permit of models of other species,
such as the humpback whale, to be added to the series.
Hitherto I have dwelt exclusively upon Sir William’s efforts to improve
the museum under his charge, from the point of view of the general
public, that is to say, as an institution for the exhibition of natural
history specimens. It must, however, be always remembered that this was
but one side of his task, and that he laboured hard during the whole
time of his official connection with the museum not only to increase
the study, or reserve, collections (which are those on which the real
scientific work of the museum is almost exclusively based), but to add to
the space available for their storage and for the workers by whom they
are studied.
Early in his career as Director he recognised the insufficiency of the
accommodation of this nature, although, as usual, he expressed his
opinion in extremely cautious and guarded language. For instance, in his
address as President of the Museum Associations in 1893, after referring
to the deficiencies of all, at that time, modern museums, which were
described as having been built during a period when opinion was still
divided as to the proper function of institutions of this nature, he
continued as follows:—
“In none, perhaps, is this more strikingly shown than in our own—built,
unfortunately, before any of the others, and so without the advantages of
the experience that might have been gained from their successes or their
shortcomings. Though a building of acknowledged architectural beauty, and
with some excellent features, it cannot be taken structurally as a model
museum when the test of adaptation to the purpose to which it is devoted
is rigidly applied.”
Public-domain text, read in full here on John Shaqi.
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