Sister Anne (Novels of Paul de Kock, Volume X)Kock, Paul de
General
Sister Anne (Novels of Paul de Kock, Volume X)
Kock, Paul de
French fiction -- Translations into English
An antiquated chandelier, suspended from the ceiling, lighted the room,
which was very large; the hangings must once have been handsome, but
were beginning to show too many signs of age. The floor was covered with
an immense rug, which was never made for a salon. The covering of the
furniture was of two colors: there was a blue ottoman and yellow chairs;
and the latter were not alike. In default of a clock, there was an
enormous jar of flowers in the centre of the mantel, and a number of
candlesticks on either side. Several card-tables of different sizes
completed the furnishing of that salon, which seemed to Dubourg to be
quite as venerable as Madame de Versac's family.
Having examined the room, Dubourg turned his attention to the company.
There were only three ladies besides the marchioness. One, who seemed to
be about sixty years old, and who was called the baroness, talked
incessantly of her estates, her châteaux, her property, and her
servants; she talked so loud that there was not a moment's silence. A
young woman, who was rather pretty, but seemed rather awkward, and did
not open her mouth except to laugh or to say _yes_ or _no_, was called
the Vicomtesse de Fairfignan; while the third, who was apparently about
thirty years old, and whom they called Madame de Grandcourt, was half
reclining on the ottoman, evidently disposed to flirt; for she cast
languorous glances at all the men, and made abundant use of her eyes,
which had been handsome, but were so encircled with black that her
eyebrows seemed to extend all the way round.
There were seven or eight men in the company; all of them seemed to be
counts, or barons, or chevaliers, but not one of them, either in dress
or bearing, gave any sign of wealth or rank. Monsieur le chevalier had a
frock-coat, the sleeves of which were so short that they were far from
reaching his wrists; and when he drew his handkerchief, he took great
care to turn his back and conceal it from the company.
The count wore torn lace wristbands, and a ruff stained with liquor and
tobacco. He seemed to take great satisfaction in displaying his hands,
which were covered with huge rings with red and yellow stones; but the
blackness of the hands themselves produced a curious effect beside the
wristbands and the jewels.
The baron, who had his hair powdered, and seemed much embarrassed by his
queue, which kept getting inside his collar, wore a new black coat and
an old pair of nankeen trousers, over which dangled charms in the shape
of fruit and shells.
The other men were dressed in the same style.
"Sacrebleu!" thought Dubourg, astounded by the aspect of all those noble
personages; "if my landlady hadn't told me what she did about the
Marquise de Versac, I should imagine that I was at an old-clothes
dealer's, with a parcel of counts from Rue Vide-Gousset."
Public-domain text, read in full here on John Shaqi.
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