Sister Gertrude: A Tale of the West RidingSykes, D. F. E.
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Sister Gertrude: A Tale of the West Riding
Sykes, D. F. E.
Autobiographical fiction; West Riding of Yorkshire (England) -- Fiction
Edward was standing later in the evening gazing on the pretty scene
musingly. The large drawing-room was brilliantly lighted. The huge,
candelabras, with their crystal pendants cunningly cut, broke and
reflected the soft lights of tapers of purest wax. The mirrors, posed
with art, reflected the shifting scene. There was the soft frou-frou of
sweeping trains, the low hum of broken converse, the rippling music of
maiden voices, and the dreamy strains of a Danubian waltz. Edward,
though dancing sufficiently well, well enough, as he thought, for a man,
was no votary of the graceful art; the party, happily, was a
well-balanced one—there was no need for him to dance from mere
complaisance. His mind carried him to a festive gathering he had
recently attended in Yorkshire. The son of an acquaintance and
client—a large manufacturer—had come of age and a treat was given to
the millhands. After their own repast in the house the guests of the
millowner had adjourned willingly enough to the vast weaving shed in
which the “hands” held their revel. The bare, whitewashed walls had
been hung with gay festoons and appropriate devices. The Linthwaite
Brass Band, victor in historic contests, discoursed sweet music. The
employees danced not ungracefully. Instead of languourous movement,
swimming smoothly to a dying strain, there was the grigging romp of
lusty lads and lasses. The couples in the quadrilles had no sort of
notion of the challenge, the equivoque, the alluring and the feigned
retreat the movements symbolise. But the music caught their feet, the
unwonted excitement stirred their young blood, and their cheeks mantled
and eyes glowed with the unrestrained and undisguised rapture of the
fleeting hour. There was the rude and rustic humour of the looms, the
lively sally, the broad retort, and the ringing laugh. Was it not as
good in its way, mused Edward, as the veiled innuendo, the sneer in
silky tones, the languid smile of an earl’s drawing-room—and was not
that way a better way?
“Are you so soon tired of dancing—shall I find you a partner?”
asked a voice at his elbow, as Edward started out of his reverie and
came back from the weaving shed to the gilded saloon. He did not know
the young man who had addressed him, a youth of medium height, with
features none too classical, but with a smooth and lofty brow, dreamy
eyes, a nascent moustache of brown down upon the upper lip. The
complexion was pale to pallor, the small white hand that caressed the
lips’ adorning was thin and delicate, the figure frail and almost
effeminate.
“You don’t know me, Mr. Beaumont. I didn’t get the chance of an
introduction before dinner. I took in Miss St. Clair—stunning
creature, isn’t she?—and she told me all about you. If you aren’t
dancing for a while let us slip off to my den and have a cigarette.
I’m Lindsay, Lord Lindsay, you know.”
Then Beaumont knew he was speaking to the heir of the house.
Public-domain text, read in full here on John Shaqi.
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