The carvings and finishing of the National Theater are superb. It is
surpassed by few in the States, but the walls are smeared and dirty--no
curtains deck the boxes, uncomfortable chairs are alone procurable,
and, all in all, the house is about as filthy as one can find in
Mexico. It is rumored that Sarah Bernhardt is to come to Mexico next
December with a French troupe, and as French is as common as Spanish
here, she will doubtless have large houses. It is to be hoped the
managers will awaken to the fact that the house needs a scrubbing down
and fumigating before that time.
As stated before, young men do not need to keep back their
washerwoman's money to be able to take their best girl to the theater.
A gentlemen and lady are never seen alone; even husband and wife, if
they have no friends, take a servant along.
Mexico supports a circus all winter. They have an amphitheater built
for the purpose, and it is the best lighted and cleanest spot in the
city. It is open afternoons and evenings, except Monday. The seats
are arranged theater-like--pit, boxes and balconies. Some very good
performing is done, but Spanish jokes by the clowns and very daring
feats on horseback are the only acts which gain applause from the
Mexicans. The menagerie, for which they charge twenty-five cents
extra, is not well attended, as the people can see more in the museum
for nothing, and they prefer the beasts stuffed, to being stuffed
themselves or stuffing another man's purse for the sight of a lion,
monkey and striped donkey.
CHAPTER XIV.
THE FLOATING GARDENS.
Of course, everybody has heard of the famous floating gardens of
Mexico, and naturally when one reaches this lovely clime their first
desire is to go up to La Viga. I wanted to visit the gardens, and with
a friend, who put up a nice lunch, started out to spend the day on the
water. The sun was just peeping over the hilltops when we took a car
marked "La Viga," and off we went. We spent the time translating signs
and looking at the queer things to be seen. The oddest sight was the
slaughter shop. The stone building looked like a fortress. Around the
entrance were hundreds of worn-out mules and horses, on which men were
hanging meat. They had one wagon, but the meat, after rubbing the bony
sides of the beasts, was just as palatable as when hauled in it. It was
built like a chicken coop, and elevated on two large wheels. On each
side of the coop and lying in a large heap on the bottom, was the meat.
Astride the pile sat a half-clad fellow, and in front, on the outside,
sat the "bloody" driver. Trudging along in a string of about forty
were men with baskets filled with the refuse, from which the blood ran
in little rivers, until they looked as if they had actually bathed in
gore. We were glad when our car passed, and had no appetite for the
lunch in our basket.
Public-domain text, read in full here on John Shaqi.
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