England -- Social life and customs -- 20th century -- Fiction; Families -- England -- Fiction; Women -- England -- Fiction
When she drew near to the tree under which he was lying, he called
softly. Startled, she looked around in every direction but the right
one, until guided by his laughter she parted the branches and leaned
through, looking down into the cool gloomy green cavern.
Edwin sat up suddenly with a quick intake of breath as he looked at
her face framed by leaves and twigs that caught at her tumbled fair
hair. Dora had been crying, she was flushed and tremulous, but as
she looked at Edwin her eyes brightened and she smiled. In her
dishevelment she achieved an unusual warm prettiness, heightened by
the contrast between smiling mouth and tear-stained eyes.
"You look simply stunning, Dora," he said eagerly; "but I can see
that something is wrong: you must let me help you, you really must.
Wait a minute till I come up beside you."
This unprecedented offer of help combined with Edwin's flattering
words and look, broke down completely Dora's already shaken
self-control. She felt, as on their first walk together, that
strange surging in her veins, and her response to it was one of
courage and sincerity; virtues as a rule quite alien to her
unreliable and compromising nature.
"You can't help me," she said desperately turning to him with tears
streaming unheeded down her cheeks. "You mustn't even try; you of
all people must keep clear of me; you don't understand at all; Mother
is determined that you should marry me."
Dora was sobbing loudly and her words were only spasmodically audible.
"You don't know how dreadful Mother is," she gasped between sobs.
"She's always going on at me about you. You mustn't come and see us
any more; it isn't safe for you; I don't know what she mayn't do;
she's quite set on it."
Emotions and ideas were crowding in on Edwin: surprise, amounting to
amazement, genuine sympathy with the helplessly sobbing girl, pride
at the thought that he and he alone could turn her misery to bliss,
and at the same time, against these, the urgings of common-sense.
He recognised clearly that he was not in love with Dora Pilkington;
he visualised the family difficulties that must inevitably present
themselves if he adopted the heroic attitude to which he was drawn.
He had shown no inkling of anything beyond the most casual affection
for Dora; in conversation he had referred to her as a nice girl and a
good companion, but he knew that his mother would certainly perceive
an engagement between him and Dora to be the result of some
transitory passion which had led to a declaration.
He hesitated, automatically patting Dora's shoulder with murmurs of
sympathetic encouragement.
Suddenly she caught his hand, and held it to her hot wet cheek.
"You've been wonderful to me," she said, "nobody has ever been so
kind before, but this is the end now."
Public-domain text, read in full here on John Shaqi.
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