Prudence selected this moment in which to throw up both her hands, and wail with sorrow. "Ooh," she moaned, "ooh, I am a bad gel, I am. Ooh, what will my mother say when I go ’ome? She give me a letter to powst, she did, an’ I never powsted it, an’ it’s a letter for our landlord, it is, an’ I promised faithful to put it into the first box I come to. An’ now I’ve fogot it, I ’ave, an’ my mother ’ll be cross. An’ I love my mother, I do, an’ she’s got a bad place on her arm, an’ I am a bad, wicked gel to tease an’ trouble ’er, I am. Oo-er, I must get up and go out, Mr. Baffin. I must, ’cause I fogot to powst my mother’s letter." Baffin did the philosophic thing: put away his canvas, and put on the kettle, and invited his sitter to unsit and rejoice. That young person responded to this invitation by sitting wonderfully silent—strangely still—for ten minutes. It was only at the very end of this unique performance that we perceived her to be shedding tears. Real tears, this time. It was possible in that moment to realise that Prudence had passed her twenty-second year. Baffin touched her shoulder, and she shrank from him and shuddered. She spoke, and her voice was the voice of a woman. "Lemme alone: lemme alone. You donnow what a un’eppy gel I am. You—you——" It finished in a gurgle. Then, with the laudable motive of clearing the air, Baffin referred in a tone of banter to the still visible presence of red flannel. The success of his experiment amazed us both. All in a moment the whims and capers of infancy possessed her again, and she succumbed to an ecstasy of wriggles. "Ooh, ’ere, ’ere, Mr. Baffin; ’ere, I say, what do you think some man ’as done? Some man ’as sent me a—a something: a underneath something, all white. Yes, reely!" "An’ my mother says it didn’t ’arf cost somethink, neether. But ain’t ’e got a cheek to do it? ’Cos it ain’t right for a man to send presents like that to a gel when she’s grown up: ’cos my mother says it’s takin’ a liberty. Whoever sent me it, ’e must ’a’ been a artist because of the tasty yoke. My mother says as I’m a grown-up gel now, an’ I got to be very pertickler. "Oo, it is pretty, though, I tell you: pink ribbon on the shoulders, an’ my mother says ’ooever ’e is ’e oughter be ashamed of ’isself, an’ all my gel cousins from Catford are comin’ on Sunday to ’ave a look, an’ when I find out ’oo it is, my mother says I can tell ’im what I think of ’im." Stimulated and cheered by the thought of this exciting prospect, Prudence fell upon the muffins. Her appetite, at any rate, was thoroughly grown up, and, having performed a veritable gastronomic feat, she curled herself up on the musty old curtain which carpeted Baffin’s "throne" and—went to sleep. Whereupon, the unauthorised kittens—they crawled everywhere—you found them in the milk jug—promptly employed the skirts of Prudence as a playground.