Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
After a little conversation about the wretchedness of the weather and
the merits of tea, with a digression relative to the viciousness of
boys as a rule, and the amiability of Master Peplow as an exception,
Mrs. Walker sees her husband coming down the street; and as he must
want his tea, poor man, after his dirty walk from the Docks, she
instantly runs across, muffins in hand, and Mrs. Macklin does the same,
and after a few words to Mrs. Walker, they all pop into their little
houses, and slam their little street-doors, which are not opened again
for the remainder of the evening, except to the nine o’clock ‘beer,’
who comes round with a lantern in front of his tray, and says, as he
lends Mrs. Walker ‘Yesterday’s ‘Tiser,’ that he’s blessed if he can
hardly hold the pot, much less feel the paper, for it’s one of the
bitterest nights he ever felt, ’cept the night when the man was frozen
to death in the Brick-field.
After a little prophetic conversation with the policeman at the
street-corner, touching a probable change in the weather, and the
setting-in of a hard frost, the nine o’clock beer returns to his
master’s house, and employs himself for the remainder of the evening,
in assiduously stirring the tap-room fire, and deferentially taking
part in the conversation of the worthies assembled round it.
The streets in the vicinity of the Marsh-gate and Victoria Theatre
present an appearance of dirt and discomfort on such a night, which the
groups who lounge about them in no degree tend to diminish. Even the
little block-tin temple sacred to baked potatoes, surmounted by a
splendid design in variegated lamps, looks less gay than usual, and as
to the kidney-pie stand, its glory has quite departed. The candle in
the transparent lamp, manufactured of oil-paper, embellished with
‘characters,’ has been blown out fifty times, so the kidney-pie
merchant, tired with running backwards and forwards to the next
wine-vaults, to get a light, has given up the idea of illumination in
despair, and the only signs of his ‘whereabout,’ are the bright sparks,
of which a long irregular train is whirled down the street every time
he opens his portable oven to hand a hot kidney-pie to a customer.
Flat-fish, oyster, and fruit vendors linger hopelessly in the kennel,
in vain endeavouring to attract customers; and the ragged boys who
usually disport themselves about the streets, stand crouched in little
knots in some projecting doorway, or under the canvas blind of a
cheesemonger’s, where great flaring gas-lights, unshaded by any glass,
display huge piles of blight red and pale yellow cheeses, mingled with
little fivepenny dabs of dingy bacon, various tubs of weekly Dorset,
and cloudy rolls of ‘best fresh.’
Public-domain text, read in full here on John Shaqi.
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