Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
Here they amuse themselves with theatrical converse, arising out of
their last half-price visit to the Victoria gallery, admire the
terrific combat, which is nightly encored, and expatiate on the
inimitable manner in which Bill Thompson can ‘come the double monkey,’
or go through the mysterious involutions of a sailor’s hornpipe.
It is nearly eleven o’clock, and the cold thin rain which has been
drizzling so long, is beginning to pour down in good earnest; the
baked-potato man has departed—the kidney-pie man has just walked away
with his warehouse on his arm—the cheesemonger has drawn in his blind,
and the boys have dispersed. The constant clicking of pattens on the
slippy and uneven pavement, and the rustling of umbrellas, as the wind
blows against the shop-windows, bear testimony to the inclemency of the
night; and the policeman, with his oilskin cape buttoned closely round
him, seems as he holds his hat on his head, and turns round to avoid
the gust of wind and rain which drives against him at the
street-corner, to be very far from congratulating himself on the
prospect before him.
The little chandler’s shop with the cracked bell behind the door, whose
melancholy tinkling has been regulated by the demand for quarterns of
sugar and half-ounces of coffee, is shutting up. The crowds which have
been passing to and fro during the whole day, are rapidly dwindling
away; and the noise of shouting and quarrelling which issues from the
public-houses, is almost the only sound that breaks the melancholy
stillness of the night.
There was another, but it has ceased. That wretched woman with the
infant in her arms, round whose meagre form the remnant of her own
scanty shawl is carefully wrapped, has been attempting to sing some
popular ballad, in the hope of wringing a few pence from the
compassionate passer-by. A brutal laugh at her weak voice is all she
has gained. The tears fall thick and fast down her own pale face; the
child is cold and hungry, and its low half-stifled wailing adds to the
misery of its wretched mother, as she moans aloud, and sinks
despairingly down, on a cold damp door-step.
Singing! How few of those who pass such a miserable creature as this,
think of the anguish of heart, the sinking of soul and spirit, which
the very effort of singing produces. Bitter mockery! Disease, neglect,
and starvation, faintly articulating the words of the joyous ditty,
that has enlivened your hours of feasting and merriment, God knows how
often! It is no subject of jeering. The weak tremulous voice tells a
fearful tale of want and famishing; and the feeble singer of this
roaring song may turn away, only to die of cold and hunger.
Public-domain text, read in full here on John Shaqi.
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