Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The little round-faced man, with the small brown surtout, white
stockings and shoes, is in the comic line; the mixed air of
self-denial, and mental consciousness of his own powers, with which he
acknowledges the call of the chair, is particularly gratifying.
‘Gen’l’men,’ says the little pompous man, accompanying the word with a
knock of the president’s hammer on the table—‘Gen’l’men, allow me to
claim your attention—our friend, Mr. Smuggins, will oblige.’—‘Bravo!’
shout the company; and Smuggins, after a considerable quantity of
coughing by way of symphony, and a most facetious sniff or two, which
afford general delight, sings a comic song, with a
fal-de-ral—tol-de-ral chorus at the end of every verse, much longer
than the verse itself. It is received with unbounded applause, and
after some aspiring genius has volunteered a recitation, and failed
dismally therein, the little pompous man gives another knock, and says
‘Gen’l’men, we will attempt a glee, if you please.’ This announcement
calls forth tumultuous applause, and the more energetic spirits express
the unqualified approbation it affords them, by knocking one or two
stout glasses off their legs—a humorous device; but one which
frequently occasions some slight altercation when the form of paying
the damage is proposed to be gone through by the waiter.
Scenes like these are continued until three or four o’clock in the
morning; and even when they close, fresh ones open to the inquisitive
novice. But as a description of all of them, however slight, would
require a volume, the contents of which, however instructive, would be
by no means pleasing, we make our bow, and drop the curtain.
CHAPTER III—SHOPS AND THEIR TENANTS
Public-domain text, read in full here on John Shaqi.
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