“O Lady Tatters! O Lady Tatters!
We scorn the fellow who basely flatters,
But we can’t help saying that nobody matters
But you, fair lady, but you, but you!
Tra la, tra la, tra la, tra la,
We know that it’s generally customary
In cases like these to be shy and wary,
For often enough in matrimony
There’s plenty of gall mixed in with the honey,
How true that is! how true! how true!
Tra la, tra la, tra la, tra la,
But under existing circumstances
Every fellow must take some chances,
Refusing to bother concerning expenses
And other deplorable consequences,
Cheerfully scorning each friendly warning,--
How few regard it! how few! how few!
Tra la, tra la, tra la, tra la,
O Lady Tatters! O Lady Tatters!
We’ve duly considered these difficult matters,
And now, without any reservation,
We’re ready to enter the marriage relation!
You’ve only to view our reliable faces
And gaze on our truly superlative graces,
To note that the suitors by whom you’re attended
Come really remarkably well recommended,--
Buy it’s all in the point of view! How true!
It’s all in the point of view!
Tra la, tra la, tra la, tra la,--”
“Silence, rogues!” I cried, out of all patience at their impudence, but
my daughter burst out laughing. It was ever her way to be amused rather
than annoyed.
“Master Eyebrows!” shouted the first ballad singer. “Choose one of us
for the tattered damsel! What will you take for her? Speak.”
“You shall have the Shears!” shouted the second ballad singer.
“The Shears of Sharpness!” shouted the third.
“See, Eyebrows!” cried the first. “The Shears of Sharpness!”
_The Blind Ballad Singer Displays the Shears of Sharpness_
He drew from under his gown a pair of tailor’s shears, and as he did so
the crowd fell back as if in alarm. He stepped toward the city wall,
and placed his hand on a flat iron bar, some two or three inches in
width, supporting an awning over a booth; and applying his shears to
it, he cut it through and through as if it had been paper. I gasped in
amazement; never had I seen a pair of shears like those.
“The Shears for the lady!” cried the blind man. “Come, Eyebrows,
choose!”
“Impudent rascal,” said I, “the lady is my daughter, and I foresee that
a good scourging is awaiting you. Come, Amadore!”
“But buy our ballads!” cried the second ballad singer. “Buy our
ballads!” cried the others, and each of the three thrust toward me one
of his papers.
I took them, and paying over a few coppers, moved on toward the city
gate. “Father!” said Amadore in my ear. “The boy is gone!”
It was true. The boy had slipped away, and was gone. The idlers began
to laugh again, and I drew my daughter after me into the city.
Public-domain text, read in full here on John Shaqi.
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