Some Distinguished Victims of the ScaffoldBleackley, Horace
History
Some Distinguished Victims of the Scaffold
Bleackley, Horace
Criminals -- Great Britain; Executions and executioners; Trials -- Great Britain
It is the eve before the deluge, and a sunset, having no part in the
morrow, most brilliant and gorgeous of aspect. To the eye of the poet
or painter there is no blemish in the fair landscape. His vision rests
only upon graceful palace or shining gardens. Around the fountains,
over the lawns, glide the creatures of Arcadia--beautiful gentlemen
in dazzling frocks and scented ruffles, toying with bejewelled sword
or flicking the lid of a golden snuff-box, moving their satin limbs
in obeisance to their fair partners. Sweet ladies with snowy ringlets
falling upon bare shoulders, the bloom of roses in their cheeks, and
the sheen of pearls on their round breasts, fluttering like butterflies
amidst the flower-beds, clad in shimmering draperies, flashing in
a blaze of colour. Or, in the twinkling of an eye, the picture may
dissolve, to become more entrancing. My lord now trips the mead a
dainty Strephon, tuning his pipes, and shaking the ribbands at his
knees, while his highborn Phyllis, still wearing her powdered hair and
disdainful patches, twirls her silken ankles in the graceful freedom
of short frocks. What though these scenes dwell only on the canvas
of the painter of Valenciennes! They are as real as were visions of
angels to the dreamer Blake! In the eyes of the artist the whole of
laughing France must be a fairy Arcadia such as this, for the witching
Pompadour, who fulfils the thoughts of prescient Watteau, directs the
dance.
Then from the thicket comes the tinkle of silvery laughter, where the
paths wind beneath the branches to lonely dells, through which the
sunlight streams in floods of amber between the leaves. Here, amidst
the gold and olive shadows, which chase each other in flickering play
round some graven image of goat-faced Pan, flits a wanton lady, flying
from her persistent lover, but laughing, tripping, and calling to him
still, as she draws him onward. Or, in the cool grove, crowned by a
wealth of ivy-tinged greenery, a sylph-like figure sweeps through
the air in her velvet swing, and her shining arms, raised to grasp
the ropes, throw the contours of her form into shapely pose. From
the bushes beneath sounds a burst of raillery, as her swain rises to
his feet, gazing with rapture as the pretty girl flies past him and
returns, adoring the tiny slippers, and the silken hose that vanish
in dainty curves beneath a fluttering screen of drapery. The fancy of
Fragonard has painted the spirit of his age--a world full of leaves,
and flowers, and sunshine, where life moves with the rhythmic cadence
of the swing, where every breath is pleasure, recking naught of pain or
death.
Public-domain text, read in full here on John Shaqi.
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