The clipped yews which give the garden its character are for the most part of one pattern, a tall three-sided pyramid, only varied by some tall cones. One cannot help observing how desirable it is in gardens of this kind that the form of the clipped yews should for the most part keep to one shape, or at any rate one general pattern, just as the architecture, whatever its character or ornament, within some kind of limit remains faithful to the dominant idea. The picture shows a double flower-border in August dress; good groups of the best hardy plants combining happily with some of the pyramids of yew. To the right is the fine summer Daisy (_Chrysanthemum maximum_), with the lilac Erigeron and the spiky blue-purple balls of the Globe Thistle, the tall double Rudbeckia Golden Glow, Lavender, Poppies and Phlox. To the left, Phloxes and the tall Evening Primrose, the great garden Tansy (_Achillea Eupatorium_), seed-heads of the Delphiniums that bloomed a month ago, White Mallow, and the grand red-ringed Sweet-William called Holborn Glory. Everything speaks of good cultivation on a rich loamy soil, for those fine yews want plenty of nutriment themselves, and would also be apt to rob their less robust neighbours. But then the good gardener knows how to provide for this. There is always an opportunity for beautiful treatment, when, as in [Illustration: BRICKWALL, NORTHIAM FROM THE PICTURE IN THE POSSESSION OF MR. R. A. OSWALD] this case, the garden ground ascends from the house. The garden is laid out to view, almost as a picture hangs on a wall, in the very best position for the convenience of the spectator; and there is nothing that gives a greater sense of dignity, with something of a poetical mystery, than separate flights of steps ascending one after another in plane after plane--as they do in that magnificent example, Canterbury Cathedral. It matters not whether the steps are under a roof or not--the impression received is the same. And there is much beauty in the steps themselves being long and wide and shallow. Looking uphill we see the steps; looking downhill they are lost. It is not the foot only that rests upon the step, it is the eye also, and that is why any handsome steps with finely-moulded edges are so pleasant to see. The overhanging edge may have arisen from utility, in that, where a step must be narrow it gives more space for the foot; but in the wide step it affords still more satisfaction, giving a good shadow under the moulded edge, and accentuating the long level lines that are so welcome to the eye. STONE HALL, EASTON THE FRIENDSHIP GARDEN It was a pleasant thought, that of the lover of good flowers and firm friend of many good people, who first had the idea of combining the two sentiments into a garden of enduring beauty.