Her ladyship clad in a snowy dress of the most costly material trimmed
with the rarest lace, her fair arms and bosom glittering with the
Wentworth diamonds, looked like a fairy queen standing on the threshold
of an enchanted castle.
I looked closely at her but could see no remnant of apprehension either
in her eyes or gestures, she was perfectly at ease and sublimely
unconscious of aught but the enjoyment of those around her and the
importance attached to herself, the well-dressed handsome hostess.
With Robert it was otherwise; in spite of his smiles, his bows, his
many pretty actions of old-world gallantry, I could see that the wan,
grey spirit of unrest stalking at his elbow never left him. He would
have staked his soul to glance occasionally at the spot before the
fireplace, but fear lest some one might see him effectually held him
back. This continual mental struggle, unsuspected even by his wife,
was only too obviously apparent to me, and I seemed to hear a sigh
of relief--of deep and earnest relief--issue from his lips when the
orchestra began.
And now all was symphony and movement. There was much glare and glitter
and piquancy; snake-like evolutions, spasmodic convergences, dexterous
extrications, all performed and repeated with mathematical precision
and untiring repetition.
The music changed--the waltz gave place to a novel and somewhat wildly
executed fandango. It was her ladyship’s whim to include in her
programme exotic dances; a resuscitation of long-forgotten Terpsichore,
they were undoubtedly the distinguishing and characteristic features of
her entertainments, raising them far above the commonplace, and gaining
for miladi a world-wide and much-coveted reputation. She hated anything
merely popular and vulgar.
In this dance that now commenced and which I beheld for the first time,
there was much of the beautiful, the wanton, the _bizarre_, and just
a suspicion of “something” which might have shocked a very exacting
“Grundy.”
As the greater number of the guests, like myself, were unacquainted
with it, the floor was left comparatively free for the performers, the
onlookers lining the walls, the doorway, and the big bay window.
Never had I witnessed such enthusiasm; the dancers, throwing their very
heart and soul into their antics, gyrated and pirouetted in such lively
fashion as evoked spontaneous outbursts of applause from the delighted,
albeit bewildered and somewhat puzzled spectators.
The faster the music, the quicker the feet, the louder the clapping.
And now, at a moment when the revelry had reached its height and the
attention of all was riveted on the dancers, a sudden commotion in
their midst made everybody wonder. What was it? What had happened?
I glanced at the clock, Robert glanced too; our eyes met, and I read in
his a deadly fear; it was the hour for the dead to rise.
Public-domain text, read in full here on John Shaqi.
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