Some old masters of Greek architectureDouglas, Harry
History
Some old masters of Greek architecture
Douglas, Harry
Architecture -- Greece; Architecture, Greek
As the building was begun in the year 437 B.C., and was entirely
completed within a period of five years, and was one of the most
imposing structures of its day, Pausanias is led to reflect that, “in
felicity of execution and in boldness and originality of design, it
rivalled the Parthenon.” Lübke’s comment on the structure is: “Thus in
this building the idea of fortress-like defence, as well as festive
welcome, was equally expressed. Especially admirable, however, was
the rich ceiling of the great three-naved court, both on account of
the bold span of its beams and the magnificent decoration of the
spaces between them (the coffers), which were brilliant with gold
and colors.[3] The Ionic form of the columns in the interior also
corresponded with this festive, cheerful character; while the two rows
of columns on the outside, together with the rest of the exterior of
the building, exhibited the seriousness and dignity of the Doric style.”
Thus has much been quoted in description and eulogy of this noble piece
of architecture; would that as much might be quoted in respect to the
talents and career of its gifted designer, but of him there is only the
shadow of comment, from which it is possible to weave but the faintest
fabric of certainty concerning his life.
His name was Mnesicles, and we are told that he was a slave born in
the household of Pericles. That he should have been chosen to create
so important an architectural work speaks for the privilege which the
humblest born might hope to attain in rising to positions of trust and
prominence in the days of that great leader. Mnesicles early manifested
an aptitude for architecture, and was permitted by his illustrious
patron and owner to exercise his talent in the erection of buildings
of inferior consequence before being entrusted with more ambitious
works. The Propylæa was not the only work of magnitude upon which
he was engaged, nor was it the most beautiful, in the judgment of some
critics, although the most important, for he was the architect as well
of the graceful Doric temple of Theseus, which has always been regarded
as one of the finest architectural conceptions the ancient city of
Athens possessed.
[Illustration: THE FALL OF MNESICLES FROM THE PROPYLÆA.]
Public-domain text, read in full here on John Shaqi.
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