American fiction -- 19th century; Short stories, American
He was indeed to learn on arrival to what he had been committed; but
that was for a while so much a part of his first general impression that
the particular truth took time to detach itself, the first general
impression demanding verily all his faculties of response. He almost
felt for a day or two the victim of a practical joke, a gross abuse of
confidence. He had presented himself with the moderate amount of flutter
involved in a sense of due preparation; but he had then found that,
however primed with prefaces and prompted with hints, he hadn't been
prepared at all. How COULD he be, he asked himself, for anything so
foreign to his experience, so alien to his proper world, so little to be
preconceived in the sharp north light of the newest impressionism, and
yet so recognised after all in the event, so noted and tasted and
assimilated? It was a case he would scarce have known how to
describe--could doubtless have described best with a full clean brush,
supplemented by a play of gesture; for it was always his habit to see an
occasion, of whatever kind, primarily as a picture, so that he might get
it, as he was wont to say, so that he might keep it, well together. He
had been treated of a sudden, in this adventure, to one of the sweetest
fairest coolest impressions of his life--one moreover visibly complete
and homogeneous from the start. Oh it was THERE, if that was all one
wanted of a thing! It was so "there" that, as had befallen him in Italy,
in Spain, confronted at last, in dusky side-chapel or rich museum, with
great things dreamed of or with greater ones unexpectedly presented, he
had held his breath for fear of breaking the spell; had almost, from the
quick impulse to respect, to prolong, lowered his voice and moved on
tiptoe. Supreme beauty suddenly revealed is apt to strike us as a
possible illusion playing with our desire--instant freedom with it to
strike us as a possible rashness.
Public-domain text, read in full here on John Shaqi.
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