American fiction -- 19th century; Short stories, American
Miss Wenham, fifty-five years of age and unappeasably timid,
unaccountably strange, had, on her reduced scale, an almost Gothic
grotesqueness; but the final effect of one's sense of it was an amenity
that accompanied one's steps like wafted gratitude. More flurried, more
spasmodic, more apologetic, more completely at a loss at one moment and
more precipitately abounding at another, he had never before in all his
days seen any maiden lady; yet for no maiden lady he had ever seen had
he so promptly conceived a private enthusiasm. Her eyes protruded, her
chin receded and her nose carried on in conversation a queer little
independent motion. She wore on the top of her head an upright circular
cap that made her resemble a caryatid disburdened, and on other parts of
her person strange combinations of colours, stuffs, shapes, of metal,
mineral and plant. The tones of her voice rose and fell, her facial
convulsions, whether tending--one could scarce make out--to expression
or REpression, succeeded each other by a law of their own; she was
embarrassed at nothing and at everything, frightened at everything and
at nothing, and she approached objects, subjects, the simplest questions
and answers and the whole material of intercourse, either with the
indirectness of terror or with the violence of despair. These things,
none the less, her refinements of oddity and intensities of custom, her
betrayal at once of conventions and simplicities, of ease and of agony,
her roundabout retarded suggestions and perceptions, still permitted her
to strike her guest as irresistibly charming. He didn't know what to
call it; she was a fruit of time. She had a queer distinction. She had
been expensively produced and there would be a good deal more of her to
come.
Public-domain text, read in full here on John Shaqi.
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