American fiction -- 19th century; Short stories, American
"Oh I'm not sure you ought to have a delightful change!"
"Why not--if you do?"
"Ah I can bear it. I'm not sure you can. I'm too bad to spoil--I AM
spoiled. I'm nobody, in short; I'm nothing. I've no type. You're ALL
type. It has taken delicious long years of security and monotony to
produce you. You fit your frame with a perfection only equalled by the
perfection with which your frame fits you. So this admirable old house,
all time-softened white within and time-faded red without, so everything
that surrounds you here and that has, by some extraordinary mercy,
escaped the inevitable fate of exploitation: so it all, I say, is the
sort of thing that, were it the least bit to fall to pieces, could
never, ah never more be put together again. I have, dear Miss Wenham,"
Granger went on, happy himself in his extravagance, which was yet all
sincere, and happier still in her deep but altogether pleased
mystification--"I've found, do you know, just the thing one has ever
heard of that you most resemble. You're the Sleeping Beauty in the
Wood."
He still had no compunction when he heard her bewilderedly sigh: "Oh
you're too delightfully droll!"
"No, I only put things just as they are, and as I've also learned a
little, thank heaven, to see them--which isn't, I quite agree with you,
at all what any one does. You're in the deep doze of the spell that has
held you for long years, and it would be a shame, a crime, to wake you
up. Indeed I already feel with a thousand scruples that I'm giving you
the fatal shake. I say it even though it makes me sound a little as if I
thought myself the fairy prince."
She gazed at him with her queerest kindest look, which he was getting
used to in spite of a faint fear, at the back of his head, of the
strange things that sometimes occurred when lonely ladies, however
mature, began to look at interesting young men from over the seas as if
the young men desired to flirt. "It's so wonderful," she said, "that you
should be so very odd and yet so very good-natured." Well, it all came
to the same thing--it was so wonderful that SHE should be so simple and
yet so little of a bore. He accepted with gratitude the theory of his
languor--which moreover was real enough and partly perhaps why he was so
sensitive; he let himself go as a convalescent, let her insist on the
weakness always left by fever. It helped him to gain time, to preserve
the spell even while he talked of breaking it; saw him through slow
strolls and soft sessions, long gossips, fitful hopeless
questions--there was so much more to tell than, by any contortion, she
COULD--and explanations addressed gallantly and patiently to her
understanding, but not, by good fortune, really reaching it. They were
perfectly at cross-purposes, and it was the better, and they wandered
together in the silver haze with all communication blurred.
Public-domain text, read in full here on John Shaqi.
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