The powerful odor emitted by the pair made the dining-room so horribly offensive that Madame de Montcornet, whose senses were very delicate, would have been forced to leave the room if Fourchon and Mouche had remained. To this circumstance the old man was indebted for his twenty-five francs. He left the room with a timid glance at Michaud, making him an interminable series of bows. “What I was saying to monseigneur, Monsieur Michaud,” he added, “was really for your good.” “Or for that of those who pay you,” replied Michaud, with a searching look. “When you have served the coffee, leave the room,” said the general to the servants, “and see that the doors are shut.” Blondet, who had not yet seen the bailiff of Les Aigues, was conscious, as he now saw him, of a totally different impression from that conveyed by Sibilet. Just as the steward inspired distrust and repulsion, so Michaud commanded respect and confidence. The first attraction of his presence was a happy face, of a fine oval, pure in outline, in which the nose bore part,--a regularity which is lacking in the majority of French faces. Though the features were correct in drawing, they were not without expression, due, perhaps, to the harmonious coloring of the warm brown and ochre tints, indicative of physical health and strength. The clear brown eyes, which were bright and piercing, kept no reserves in the expression of his thought; they looked straight into the eyes of others. The broad white forehead was thrown still further into relief by his abundant black hair. Honesty, decision, and a saintly serenity were the animating points of this noble face, where a few deep lines upon the brow were the result of the man’s military career. Doubt and suspicion could there be read the moment they had entered his mind. His figure, like that of all men selected for the elite of the cavalry service, though shapely and elegant, was vigorously built. Michaud, who wore moustachios, whiskers, and a chin beard, recalled that martial type of face which a deluge of patriotic paintings and engravings came very near to making ridiculous. This type had the defect of being common in the French army; perhaps the continuance of the same emotions, the same camp sufferings from which none were exempt, neither high nor low, and more especially the same efforts of officers and men upon the battle-fields, may have contributed to produce this uniformity of countenance. Michaud, who was dressed in dark blue cloth, still wore the black satin stock and high boots of a soldier, which increased the slight stiffness and rigidity of his bearing. The shoulders sloped, the chest expanded, as though the man were still under arms. The red ribbon of the Legion of honor was in his buttonhole. In short, to give a last touch in one word about the moral qualities beneath this purely physical presentment, it may be said that while the steward, from the time he first entered upon