All this time the clockwork of the siren has remained out of action.
As the second-hand of a watch crosses the number 60, the clockwork is
set going by pushing the button _a_. We will allow the disk to continue
its rotation for a minute, the tuning-fork being excited from time
to time to assure you that the unison is preserved. The second-hand
again approaches 60; as it passes that number the clockwork is stopped
by pushing the button _b_; and then, recorded on the dials, we have
the exact number of revolutions performed by the disk. The number is
1,440. But the series of holes open during the experiment numbers 16;
for every revolution, therefore, we had 16 puffs of air, or 16 waves
of sound. Multiplying 1,440 by 16, we obtain 23,040 as the number of
vibrations executed by the tuning-fork in a minute. Dividing this by
60, we find the number of vibrations executed in a second to be 384.
§ 8. _Determination of Wave-lengths: Time of Vibration_
Having determined the rapidity of vibration, the length of the
corresponding sonorous wave is found with the utmost facility. Imagine
a tuning-fork vibrating in free air. At the end of a second from the
time it commenced its vibrations the foremost wave would have reached
a distance of 1,090 feet in air of the freezing temperature. In the
air of a room which has a temperature of about 15° C., it would reach
a distance of 1,120 in a second. In this distance, therefore, are
embraced 384 sonorous waves. Dividing 1,120 by 384, we find the length
of each wave to be nearly 3 feet. Determining in this way the rates of
vibration of the four tuning-forks now before you, we find them to be
256, 320, 384, and 512; these numbers corresponding to wave-lengths
of 4 feet 4 inches, 3 feet 6 inches, 2 feet 11 inches, and 2 feet 2
inches respectively. The waves generated by a man’s voice in common
conversation are from 8 to 12 feet, those of a woman’s voice are from 2
to 4 feet in length. Hence a woman’s ordinary pitch in the lower sounds
of conversation is more than an octave above a man’s; in the higher
sounds it is two octaves.
And here it is important to note that by the term vibrations is meant
_complete ones_; and by the term sonorous wave is meant a condensation
and its associated rarefaction. By a vibration an excursion _to and
fro_ of the vibrating body is to be understood. Every wave generated
by such a vibration bends the tympanic membrane once in and once
out. These are the definitions of a vibration and of a sonorous wave
employed in England and Germany. In France, however, a vibration
consists of an excursion of the vibrating body _in one direction_,
whether to or fro. The French vibrations, therefore, are only the
halves of ours, and we therefore call them semi-vibrations. In all
cases throughout these chapters, when the word vibration is employed
without qualification, it refers to complete vibrations.
Public-domain text, read in full here on John Shaqi.
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