THE sunshine of a perfect October day lay full upon Peter Weaver's
great front porch, as he sat in his red armchair, smoking his
after-dinner pipe, two months after his encounter with Funkhausen.
Behind the porch lay the house; a minor affair, yet comfortable in its
way. So long as weather permitted Peter lived upon his porches, the
back one, fronting east, in the mornings, and the front one with the
western exposure in the afternoon. From it he could see the goose-pond
where his flock disported, and the road, not very lively, but with
passing features of interest to a society loving mind.
His bachelor housekeeping was simple, his farm small, and the good
grandparents had brought with them from Holland a store of Dutch
guelders which had been converted into mining stock in due course, and,
passing down to Peter, made his living a comfortable one. Had he chosen
to loaf all day long upon his porches his income would have enabled
him to do so. And old Aunt Vina and her two sons would not have lost
their wages, nor the church its annual liberal check. But Peter had
an industrious streak in him, and worked with all his might when he
did work. Afterwards he indulged himself in spells of meditation and
verse-writing.
How he had first gained courage to put himself before the public as a
poet is a mystery. Possibly he had hopes of making his name illustrious
in little Nellie's eyes. It is certain that a copy of the _Purcellville
Banner_ with heavy lines in red ink drawn around a sonnet addressed
to "A Sweetbriar Rose," and signed "Heinrichs," had reached Benvenew
the day after being issued. Since then the poet had branched out in
other directions and the _Banner's_ columns were enriched with an
amount of original matter that led the editor seriously to contemplate
the possibility of abandoning a "patent outside," and depending upon
home talent to fill his space. Eventually, the disguise maintained
by "Heinrichs" was penetrated by his neighbors and Peter was made
the recipient of attentions varying from invitations to dine and
display his talent for versification at the Gordons, all the way down
to lampoons in chalk upon his barn-door, and hootings from the six
red-haired little Clapsaddles.
Pendleton Haywood, riding by one morning, espied the sturdy poet
with his sleeves rolled up, deep in molasses-making; and thought it
opportune to call out:
"Peter, make me a rhyme!"
With extraordinary quickness this rejoinder was thundered back:
"I'm busy just now,
Stirring my molasses,
I've no time
To make a rhyme
For every fool that passes."
And Pendleton went on his way a sadder man; for the six red-haired
little Clapsaddles were as usual hanging about the goose-pond, and
had made themselves masters of this colloquy; which, consequently,
spread with the rapidity of a Virginia creeper, from Rocky Point to
Purcellville.
Public-domain text, read in full here on John Shaqi.
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