Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert — John Shaqi
Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
irrevocably as if the Cardinal Lord Archbishop of Toledo had performed
the ceremony. The vows have been exchanged before witnesses in a sacred
edifice, and an anointed priest has simultaneously blessed the
contracting parties from the altar. What can parents do? The Don may
rage, the Doña may upbraid, but when the Church makes itself an
accomplice of lovers, even in Spain the law must acquiesce. And there is
no divorce!
That genuine romance tinges the lives of Spanish men and women, few who
know them can doubt. But the Andalusia of musical comedy, the creation
of which is largely due to the poets of the Romantic school, does not
exist. Seville never was a glorified Cremorne; and persons of a
Byronic turn would find adventures suitable to their mood more readily
by the banks of the Thames and the Hudson than by those of the
Guadalquivir.
[Illustration: SEVILLE--CASA DE PILATOS]
For all that, some romantic stories are told about old Seville, and one
of these has some foundation of truth. About the middle of the
seventeenth century, the city re-echoed with reports of the wild and
desperate doings of a certain wealthy gallant, Don Miguel de Marana by
name. By some he is called De Mañara. Marriage with the heiress of the
Mendoza family did not sober him, though an alliance with so solemn a
thing as money generally brings the most hot-headed Latin youth to his
senses. Like many other wicked persons, our gallant had a nice taste in
art, and is said to have encouraged Murillo. Now comes the remarkable
and the improving part of the story. It is not safe to vouch for the
accuracy of the details of any part of it. One morning Seville woke up
to find--no doubt to her unspeakable consolation--the wicked De Marana a
changed man. He became a saint--an ascetic in the seventeenth-century
acceptation of the word. The wine-bibber forswore even chocolate as too
strong a beverage.
What had happened to produce so edifying a change? Accounts vary. The
most picturesque explanation is that the Don, prowling about the streets
one night, perceived a funeral procession approaching. Curiosity
impelled him to look at the face of the corpse, which was uncovered, and
lo! it was his own.
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