Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert — John Shaqi
Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
There is rather less to reward your curiosity at the Palacio de las
Dueñas, a vast mansion belonging to the Duke of Alba. Once it boasted
eleven "patios," with nine fountains and one hundred columns of marble.
A fine court, surrounded by a graceful arcade, remains. The staircase
recalls that of the Casa de Pilatos. Our countryman Lord Holland stayed
here a hundred years ago. He was a great admirer of Spanish literature
at a time when it was hardly as much a matter of interest to foreigners
as it is at present.
Then there is the Casa de Bustos Tavera, where, according to Lope de
Vega, Sancho the Brave used to visit the "Star of Seville"; and the
Casa Olea, in the Calle Guzman el Bueno, with a hall of Mudejar
workmanship dating from the days of Don Pedro.
It is the romantic aspect of Seville that has impressed some visitors
much more than its historical or archæological side. Over the poets and
dramatists of the Romantic school the city exercised a strange
fascination. Byron and Alfred de Musset found the atmosphere of the
place most congenial. Through their rose-coloured spectacles every girl
they met in these narrow white streets seemed "preternaturally pretty."
The principal business of the inhabitants in the 'twenties and 'thirties
of last century, to judge by the French poet's descriptions, was
love-making, strumming the guitar, and duelling. That Spain was ever a
romantic country in the vulgarly accepted sense of the term, I doubt.
Roman Catholic customs and institutions forbid that free intermingling
of the sexes from which result the thousand and one emotions,
complications, situations, and catastrophes that are the ingredients of
romance. In countries like Spain, where the canon law obtained, there
could be, for instance, no runaway matches, no desperate flights in a
post-chaise to a church (say) over the Portuguese border, with an irate
father in pursuit. There could not have been, and cannot be at the
present time, any walks with the beloved down the moonlit grove, any
trysts by the stile or the ruined keep, any rendezvous among the
rose-bushes. If a Spanish girl did any of these things, she would
indeed, in French parlance, have thrown her cap over the mill. The
affair would no longer have the complexion of a romance but of a sordid
intrigue. This being so, I was delighted to hear that occasionally
clandestine marriages are resorted to in Spain, and that fond lovers
find a means of uniting in defiance of stern parents, even in Andalusia.
The couple, accompanied by a few friends, contrive to sit next to each
other in church, as far out of sight of the rest of the worshippers as
possible. Their troths are plighted in an undertone just loud enough for
the witnesses to hear, the ring slipped on under cover of the mantilla,
and the hands joined at the precise moment the all-unconscious celebrant
turns towards the congregation at the end of the mass and pronounces the
benediction. In the eyes of the Church the two are married as
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