Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
We reach the beginning of the Delicias Gardens, which extend two or
three miles southward along the river bank. All the rank and fashion of
Seville--and a great deal besides--turns out in summer evenings to drive
in the Delicias. The concourse of vehicles is immense, but reminded me
rather of the return from the Derby than of Rotten Row. The great
ambition of the Spaniard is to possess a conveyance, and he seems to
care little how dilapidated or ancient it may be, so long as it goes on
wheels. Side by side with the handsome equipages of the Sevillian
aristocracy, you will see a wretched Rosinante painfully dragging what I
took to be the original "one-hoss shay," or the carriage in which Lord
Ferrers was driven to the scaffold. It is impossible to restrain a
smile, but after all a conveyance is a real necessity in a climate like
this, and if a man cannot afford a good carriage, he must needs put up
with a bad one. The traffic is well regulated by mounted police. The
foot-paths are also crowded, and when night falls, everyone adjourns to
the numerous open-air cafés and kiosks to drink light beer and lemonade.
Sober, steady Spain! How certain of our reformers at home would love
you, if they but knew you! Where in the world (except in the East) are
men more abstemious or women more staid and demure?
If you wish (as of course, being a modern traveller, you are sure to do)
to study the life of the people, you had better betake yourself to the
other end of the city--to the Alameda de Hercules, so called after two
columns which the natives believe were presented by that muscular
demigod. Here a perpetual fair seems in progress. There are the usual
booths, with fat ladies, boneless wonders, and dwarfs, and more
questionable exhibitions. On a platform sat three depressed and underfed
wretches, who, I thought, were to be immediately garrotted. Suddenly one
sprang up and gave a very clever rendering of the arrival and departure
of a train at a country station. He was vociferously applauded, and,
thus encouraged, danced a sort of "cellar-flap" with great animation to
the indispensable accompaniment of hand-clapping. In a popular assembly
of Andalusian town and country folk, the modern observer ought, I am
well aware, to find many extraordinary and significant phases of
humanity, exhibiting the striking individuality of the people, their
race-consciousness, their psychological import, their evolutional
significance, and so forth. I blush to confess that in the crowds
applauding the ventriloquist or gaping at the fat lady, I saw only a
collection of good-humoured ordinary people, enjoying themselves much
after the fashion of ordinary people in England.
[Illustration: SEVILLE--GARDEN OF THE CASA DE PILATOS]
Public-domain text, read in full here on John Shaqi.
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