Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
The religious ceremonies, of which travellers talk so much, are not for
the most part peculiar to Seville, as it ought to be unnecessary to
remind them. The tableaux in the processions struck me as theatrical,
but as being on the whole as well represented as similar show-pieces in
our pageants. The famous Dance of the Seises is reserved for the
octaves of the Immaculate Conception and Corpus Christi. It has been
described over and over again. There is nothing irreverent about the
performance, which is in itself graceful and quaint; only carried out
before the high altar it strikes one as rather meaningless. So, I
suppose, most such functions impress those who are unprepared for them
by temperament and education. There cannot be much doubt that the
ceremony originated in an attempt to attract the ungodly to church--an
early and respectable precedent for the methods of the Salvation Army.
Others have it that the dance is a survival of some pagan
ceremony--which will remind us that we have so far neglected the
monuments of the Romans which were bequeathed to Seville. These are not
very numerous or interesting. Only a fragment remains, at the north-east
angle of the city, of the massive wall which Cæsar built, and which
completely girdled Seville as late as the reign of Juan II. It was
strengthened, tradition tells us, by 166 towers, which were freely used
as prisons by later rulers. The Cordoba Gate marks the site of the
dungeon of the canonized Hermenegild. Close to it is the Capuchin
Convent, built upon the foundations of the palace of the Roman governor,
Diogenianus, and afterwards associated with Murillo. A noble aqueduct
built by the Romans, and known to-day as the Caños de Carmona, still
brings water from Alcala de Guadaira to Seville. Everyone who visits
Seville is expected to make an excursion to the ruins of Italica, a few
miles on the other side of the Guadalquivir. There is remarkably little
to see when you get there, and not much is known about the place. There
were few, if any, private dwellings here, and it existed rather as the
place of meeting and distributing centre for the colonists scattered
over the district. It was indeed raised to the dignity of a municipality
by Augustus, but petitioned to be restored to its old rank of a Roman
colony. It did not prove unworthy of its connection with the great
capital. Hence sprang the illustrious line of the Ælii, and many of the
eminent Roman Spaniards who conferred such lustre on the early empire
are believed to have been natives. The town was embellished in those
palmy days with temples, palaces, amphitheatres, and baths, quite out of
proportion to its population.
Public-domain text, read in full here on John Shaqi.
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