Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
The old basilica was accordingly demolished and the mosque begun. The
khalifa set apart a portion of his revenues for the work, and laboured
himself upon it for an hour each day. Thus encouraged, his subjects of
all ranks made it a point of honour to contribute either their personal
labour or their money to the great work. Though most of the columns came
from the marble quarries of the neighbouring town of Cabra, as many as
possible were brought from the most distant parts of the Mohammedan
empire, from the works of civilizations which Islam had subdued. The
mosque was to be a monument to the triumph of the Crescent. Its
dimensions as projected by the founder were four times less than those
of the existing building.
The successors of Abd-ur-Rahman obtained the assistance of Byzantine
craftsmen, and embellished the mosque with rich mosaics. Almost a
quarter of the actual building was added by Al Hakem II., and the
eastern half by Al Mansûr. To effect this last expansion, a cottage
beneath a palm tree had to be acquired. The old lady to whom it belonged
refused to budge till an exactly similar abode was found for her. This
was done at last, after a diligent search, and a liberal donation made
to her to boot.
[Illustration: CORDOVA--MOORISH MILL]
Thus was reared this mighty temple of Islam on European soil, at a time
when the state of the Christian world went far to justify the exultant
words of the khalifa: "Let us build the Kaaba of the West upon the
site of a Christian temple, which we will destroy, so that we may set
forth how the Cross shall fall and become abased before the True
Prophet. Allah will never place the world beneath the feet of those who
make themselves the slaves of drink and sensuality, while they preach
penitence and the joys of chastity, and while extolling poverty, enrich
themselves to the loss of their neighbours. For these, the sad and
silent cloister; for us, the crystalline fountain and the shady grove;
for them, the rude and unsocial life of dungeon-like strongholds; for
us, the charm of social life and culture; for them, intolerance and
tyranny; for us, a ruler who is our father; for them, the darkness of
ignorance; for us, letters and instruction widespread as our creed; for
them, the wilderness, celibacy, and the doom of the false martyr; for
us, plenty, love, brotherhood and eternal joy."
The face of the world has changed somewhat in ten centuries.
Public-domain text, read in full here on John Shaqi.
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