Spanish Arms and Armour: Being a Historical and Descriptive Account of the Royal Armoury of MadridCalvert, Albert Frederick
History
Spanish Arms and Armour: Being a Historical and Descriptive Account of the Royal Armoury of Madrid
Calvert, Albert Frederick
Arms and armor -- Spain; Real Armería de Madrid
The armour is shown on three separate figures. The first (A49--plate 24)
is a harness for jousting on foot, with the two-handed sword, mace, or
half-pike. The helmet, of the kind Spanish writers call the _celada de
engole_, has a serrated comb and pointed visor ridged horizontally; the
cheek-pieces open at the sides; and the nape covering or _colodrillo_ is
forged separately from the helmet, and fastened with rivets. This
headpiece has six reinforcing pieces, which are placed at the side of
the figure. Among these is a curious beavor, composed of two plates,
nailed on leather, which clasp on the helmet and close at the chin. The
rest of the suit consists of: laminated gorget; globose breastplate,
roped at the edges, and decorated with ornamental lengths; taces, to the
lower edge of which is attached the lamboy, composed of two bell-shaped
halves, each of eight semi-circular plates, across which the lengths are
continued, and the lowest or outermost of which is decorated all round
with embossed oak-leaves intertwined round a trunk. The espaliers are
small and beautifully decorated with the device of the Golden Fleece in
relief. The coudes show the Imperial Eagle embossed on a gold ground.
The leg-armour does not properly belong to this suit.
(A56). The second figure (plates 25, 99) has a helmet for jousting on
foot, which opens at the sides, and has a large visor in one
semi-spherical piece perforated; slight crest, and stripes of gold which
unite at the back to form two fantastic figures, and, lastly, eight
holes on each side, guarded with metal, for hearing. Undoubtedly it was
altered at a very remote period by cutting horizontally at the neck, at
the back of which the Golden Fleece is engraved; and doubtless it was
cut in order to add the neck-plates, which, screwed on to the cuirass,
serve instead of a gorget.
Note the heavy tilting elbow-guards and gauntlets; the brayette, rarely
shown in English pieces of armour; and the close-fitting tassets,
resembling breeches, in which we may recognise the beginnings of the
lobster-tail armour, worn so much during the seventeenth century. The
back of the espaliers is beautifully designed to resemble the wings of
an eagle.
(A57.) The third figure has tilting pieces of the same armour. The helm
in two pieces, united at the side by means of seven sliding rivets, is
magnificent, with pointed visor, very stout at the edges; it has a
shutter on the right side; two groups of perforations for breathing, and
eight others, guarded with metal, for hearing; in front the decoration
only consists of lightly engraved feathers, on the crest, of a centaur
fighting a serpent, in relief, on a gold ground (plate 100).
Public-domain text, read in full here on John Shaqi.
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