Specimens with Memoirs of the Less-known British Poets, Volume 3
General
Specimens with Memoirs of the Less-known British Poets, Volume 3
English poetry
he lived and enjoyed life for nearly thirty years more. At last, after
having lost money and gained obloquy, in a vain attempt to found the
first theatre in Edinburgh, and after building for himself a curious
octagon-shaped house on the north side of the Castle Hill, which, while
he called it Ramsay Lodge, his enemies nicknamed 'The Goose-pie,' and
which, though altered, still, we believe, stands, under the name of
Ramsay Garden, the author of 'The Gentle Shepherd' breathed his last on
the 7th of January 1758. He died of a scurvy in the gums. His son became
a distinguished painter, intimate with Johnson, Burke, and the rest of
that splendid set, although now chiefly remembered from his connexion
with them and with his father.
Allan Ramsay was a poet with very few of the usual poetical faults. He
had an eye for nature, but he had also an eye for the main chance. He
'kept his shop, and his shop kept him.' He might sing of intrigues, and
revels, and houses of indifferent reputation; but he was himself a
quiet, _canny_, domestic man, seen regularly at kirk and market. He had
a great reverence for the gentry, with whom he fancied himself, and
perhaps was, through the Dalhousie family, connected. He had a vast
opinion of himself; and between pride of blood, pride of genius, and
plenty of means, he was tolerably happy. How different from poor maudlin
Fergusson, or from that dark-browed, dark-eyed, impetuous being who was,
within a year of Ramsay's death, to appear upon the banks of Doon,
coming into the world to sing divinely, to act insanely, and prematurely
to die!
A bard, in the highest use of the word, in which it approaches the
meaning of prophet, Ramsay was not, else he would not have ceased so
soon to sing. Whatever lyrical impulse was in him speedily wore itself
out, and left him to his milder mission as a broad reflector of Scottish
life--in its humbler, gentler, and better aspects. His 'Gentle Shepherd'
is a chapter of Scottish still-life; and, since the pastoral is
essentially the poetry of peace, the 'Gentle Shepherd' is the finest
pastoral in the world. No thunders roll among these solitary crags; no
lightnings affright these lasses among their _claes_ at Habbie's Howe;
the air is still and soft; the plaintive bleating of the sheep upon the
hills, the echoes of the city are distant and faintly heard, so that the
very sounds seem in unison and in league with silence. One thinks of
Shelley's isle 'mid the Aegean deep:--
'It is an isle under Ionian skies,
Beautiful as the wreck of Paradise;
And for the harbours are not safe and good,
The land would have remained a solitude,
But for some pastoral people, native there,
Who from the Elysian clear and sunny air
Draw the last spirit of the age of gold,
Simple and generous, innocent and bold.
* * * * *
Public-domain text, read in full here on John Shaqi.
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