Was Consuello a screen player or had she some other work connected with the production of pictures, designer, scenario writer, director, art expert? Or was she only at the studio as a visitor, inviting him to be with her because some particular star was playing or some especially interesting scene being staged? Entering the cloth and lath superstructure he found himself in pitch darkness. Unable to see his hand before his face he stopped to accustom his eyes to the absence of any light. A voice spoke out of the dark: "Do you wish to see anyone?" it asked. "Miss Carrillo," he answered, having an uncanny feeling as he spoke to someone he could not see and yet whom he know was close at hand. "Miss Carrillo is on the set--was she expecting you?" the voice asked. "She told me to be here and to mention that she was expecting me," he said. "This way, then, please." He turned in the direction from which the voice came and walked slowly, cautiously, until his feet encountered steps. He mounted the steps with a strange feeling that he was about to fall on his face. Reaching the top step he felt himself on a level floor. Shafts of light, escaping from between tall objects before him, invaded the darkness. A stringed orchestra was playing something soft, plaintively sweet. He recognized the music as Schubert's "Serenade." He stumbled over a sawhorse and his guide turned upon him with a quick admonition to be more careful. Except for the music there was not a sound. Turning past one of the tall dark objects, which he afterward discovered were painted canvas scenery, he halted at a signal from the man who was leading him and who continued to go forward on tiptoes, a muffled curse escaping him as a board squeaked under foot. John named his guide "Mr. John J. Silence" in his mind. Before him two arc lamps threw a bluish white light on a set representing the interior of a finely furnished room. Between the lamps were two cameras which were being cranked by two tall young men in khaki trousers and leather puttees who wore the peaks of their caps turned backward like children playing "fireman." Near the cameras a man with horn-rim spectacles sat in a canvas chair, a manuscript in his hand. Scattered about were a dozen men and women, poised tensely, as if they were afraid to move a muscle. To the left was the orchestra, a violin, 'cello and bass viol. Why, thought John, do bass viol players always have that far-away, woebegone look on their faces as they saw at their instruments? From where he stood it was impossible for John to see what was before the cameras. He strained his eyes in a vain attempt to identify Consuello as among those standing behind the lamps. He saw his guide speak to one of the figures--a man--and then turn to signal to him violently and silently to approach, pressing his forefinger to his lips as a final admonition to be quiet. "Mr. John J. Silence bids me approach," John said to himself.