Alabama -- History -- Civil War, 1861-1865 -- Fiction; Domestic fiction; War stories
"Please do not say that you wish me to go, my dear Mrs. Murray, for I
dread the very thought."
"But I must tell you that I insist upon your conforming to the usages
of good society. Mrs. Inge belongs to one of the very first families in
the State; at her house you will meet the best people, and you could
not possibly make your debut under more favorable circumstances.
Beside, it is very unnatural that a young girl should not enjoy parties
and the society of gay young people. You are very unnecessarily making
a recluse of yourself, and I shall not permit you to refuse such an
invitation as Mrs. Inge has sent. It would be rude in the extreme."
"Dear Mrs. Murray, you speak of my debut, as if, like other girls, I
had nothing else to do but fit myself for society. These people care
nothing for me, and I am as little interested in them. I have no desire
to move for a short time in a circle from which my work in life must
soon separate me."
"To what work do you allude?"
"The support which I must make by teaching. In a few months I hope to
be able to earn all I need, and then--"
"Then it will be quite time enough to determine what necessity demands;
in the meanwhile, as long as you are in my house you must allow me to
judge what is proper for you. Clara Inge is my friend, and I can not
allow you to be rude to her. I have sent the carriage to town for Miss
O'Riley, my mantua-maker, and Hagar will make the skirt of your dress.
Come into my room and let her take the measure."
"Thank you for your kind thoughtfulness, but indeed I do not want to
go. Please let me stay at home! You can frame some polite excuse, and
Mrs. Inge cares not whether I go or stay. I will write my regrets and--"
"Don't be childish, Edna; I care whether you go or stay, and that fact
should weigh with you much more than Mrs. Inge's wishes, for you are
quite right in supposing that it is a matter of indifference to her. Do
not keep Hagar waiting."
Public-domain text, read in full here on John Shaqi.
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