St. George and St. Michael, Volume 1MacDonald, George
History
St. George and St. Michael, Volume 1
MacDonald, George
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
CHAPTER XI.
RAGLAN CASTLE.
While he yet spoke, their horses, of their own accord, passed
through the gate which Eccles had thrown wide to admit them, and
carried them into the Fountain court. Here, indeed, was a change of
aspect! All that Dorothy had hitherto contemplated was the side of
the fortress which faced the world--frowning and defiant, although
here and there on the point of breaking into a half smile, for the
grim, suspicious, altogether repellent look of the old feudal castle
had been gradually vanishing in the additions and alterations of
more civilised times. But now they were in the heart of the
building, and saw the face which the house of strength turned upon
its own people. The spring sunshine filled half the court; over the
rest lay the shadow of the huge keep, towering massive above the
three-storied line of building which formed the side next it. Here
was the true face of the Janus-building, full of eyes and mouths;
for many bright windows looked down into the court, in some of which
shone the smiling faces of children and ladies peeping out to see
the visitors, whose arrival had been announced by the creaking
chains of the portcullis; and by the doors issued and entered, here
a lady in rich attire, there a gentlemen half in armour, and here
again a serving man or maid. Nearly in the centre of the quadrangle,
just outside the shadow of the keep, stood the giant horse, rearing
in white marble, almost dazzling in the sunshine, from whose
nostrils spouted the jets of water which gave its name to the court.
Opposite the gate by which they entered was the little chapel, with
its triple lancet windows, over which lay the picture-gallery with
its large oriel lights. Far above their roof, ascended from behind
that of the great hall, with its fine lantern window seated on the
ridge. From the other court beyond the hall, that upon which the
main entrance opened, came the sounds of heavy feet in intermittent
but measured tread, the clanking of arms, and a returning voice of
loud command: the troops of the garrison were being exercised on the
slabs of the pitched court.
From each of the many doors opening into the court they had entered,
a path, paved with coloured tiles, led straight through the finest
of turf to the marble fountain in the centre, into whose shadowed
basin the falling water seemed to carry captive as into a prison the
sunlight it caught above. Its music as it fell made a lovely but
strange and sad contrast with the martial sounds from beyond.
Public-domain text, read in full here on John Shaqi.
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