Standard Selections: A Collection and Adaptation of Superior Productions from Best Authors for Use in Class Room and on the Platform
General
Standard Selections: A Collection and Adaptation of Superior Productions from Best Authors for Use in Class Room and on the Platform
Recitations
Glaucus loved Ione, a beautiful young Neapolitan of Greek parentage who
had lately come to Pompeii. She was one of those brilliant characters
which seldom flash across our career. She united in the highest
perfection the rarest of earthly gifts,--Genius and Beauty. No one ever
possessed superior intellectual qualities without knowing them. In the
person of Ione, Glaucus found the long-sought idol of his dreams; and so
infatuated was he, that he could talk of no one else. No song was sweet
but that which breathed of love, and to him love was but a synonym of
Ione.
"Play to us, dear Nydia,--play, and give us one of thy songs; whether it
be of magic or not as thou wilt--let it at least be of love."
"Of love! wish you that I should sing of love?"
"Yes."
She moved a little way from Ione, who had learned to love her more as a
sister than a slave, and placing her light, graceful instrument on her
knee, after a short prelude, she sang the following strain, in which
with touching pathos, her own sighs were represented by the _Wind_, the
brightness of the beautiful Ione by the _Sun-beam_, and the personality
of Glaucus by his favorite flower, the _Rose_.
I
The Wind and the Beam loved the Rose,
And the Rose loved one;
For who seeks the Wind where it blows?
Or loves not the Sun?
II
None knew where the humble Wind stole,
Poor sport of the skies--
None dreamt that the Wind had a soul,
In its mournful sighs!
III
Oh, happy Beam! how canst thou prove
That bright love of thine?
In thy light is the proof of thy love,
Thou hast but--to shine!
IV
How can the Wind its love reveal?
Unwelcome its sigh;
Mute--mute to its Rose be it still--
Its proof is--to die!
Alike in their mornings at the house of Ione, and in their evening
excursions, Nydia was usually their constant, and often their sole
companion. They did not guess the secret fires which consumed her; the
flames of which were ever fanned by the unconscious breath of the two
lovers. Yet her fidelity arose above her pitiful pangs of jealousy and
in the hour of need she was the tried and trusted.
The scene changes; where only the brightness of uninterrupted love had
hitherto fallen, now creep the black shadows of tragic sorrow.
Ione falls into the clutches of Arbaces, a subtle, crafty Egyptian, who
attempted by the magic of his dark sorcery, to win her away from
Glaucus. In pursuit of his base designs, Arbaces murders Apaecides, the
brother of Ione, imprisons the priest Calenus, the only witness of the
deed, and with great cunning weaves a convicting web of circumstantial
evidence around Glaucus, his hated rival. Glaucus is tried, convicted,
and doomed to be thrown to the lion. Ione and Nydia are also prisoners
in the house of Arbaces. Glaucus has been placed in that gloomy and
narrow cell in which the criminals of the arena awaited their last and
fearful struggle.
Public-domain text, read in full here on John Shaqi.
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