He went to bed and lay for a long time thinking of Helen May out there
in that two-roomed adobe cabin, with a fifteen-year-old boy for
protection and miles of wilderness between her and any other human
habitation. It was small comfort then to Starr that she had the dog. One
bullet can settle a dog, and then--Starr could not look calmly at the
possibility of what might happen then.
"They've no business out there like that, alone!" he muttered, rising to
an elbow and thumping his hard pillow viciously. "Good Lord! Haven't they
got any folks?"
CHAPTER ELEVEN
THE WIND BLOWS MANY STRAWS
Soon after daylight, Rabbit snorted and ran a little way down the corral
toward the cabin. Starr, trained to light sleeping and instant waking,
was up and standing back from the little window with his six-shooter in
his hand before Rabbit had stopped to whirl and look for what had scared
him. So Starr was in time to see a "big four" Stetson hat with a
horsehair hatband sink from sight behind the high board fence at the rear
of the corral.
Starr waited. Rabbit shook his head as though he were disgusted with
himself, and began nosing the ground for the wisps of hay which a high
wind had blown there. Starr retreated to a point in the room where he
could see without risk of being seen, and watched. In a few minutes, when
the horse had forgotten all about the incident and was feeding again, the
Stetson hat very cautiously rose once more. Under its gray brim Starr saw
a pair of black eyes peer over the fence. He watched them glancing here
and there, coming finally to rest upon the cabin itself. They watched
Rabbit, and Starr knew that they watched for some sign of alarm rather
than from any great interest in the horse: Rabbit lifted his head and
looked that way boredly for a moment before he went back to his feeding,
and the eyes lifted a little, so that the upper part of the owner's face
came into view. A young Mexican, Starr judged him, because of his smooth
skin around the eyes. He waited. The fellow rose now so that the fence
came just below his lips, which were full and curved in the pleasant
lines of youth. His eyes kept moving this way and that, so that the
whites showed with each turn of the eyeball. Starr studied what he could
see of the face. Thick eyebrows well formed except that the left one took
a whimsical turn upward; heavy lashes, the high, thin nose of the Mexican
who is part Indian--as are practically all of the lower, or peon
class--that much he had plenty of time to note. Then there was the mouth,
which Starr knew might be utterly changed in appearance when one saw the
chin that went with it.
Public-domain text, read in full here on John Shaqi.
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