Stavrogin's Confession and The Plan of The Life of a Great Sinner: With Introductory and Explanatory NotesDostoyevsky, Fyodor
General
Stavrogin's Confession and The Plan of The Life of a Great Sinner: With Introductory and Explanatory Notes
Dostoyevsky, Fyodor
Dostoyevsky, Fyodor, 1821-1881 -- Translations into English; Russia -- Social life and customs -- Fiction
------------------------------------------------------------------------
THE UNPUBLISHED CHAPTER
OF
_THE POSSESSED_
THE chapter of _The Possessed_, Stavrogin’s confession of his terrible
crime, excluded from the completed novel, first became known to
Merezhkovsky. Mrs. F. M. Dostoevsky (Anna Gregorievna Dostoevsky,
Dostoevsky’s widow) originally intended to invite Merezhkovsky to edit
the 1906 Jubilee Edition of Dostoevsky’s Works and showed him the
precious fragment in manuscript. In his book, _Tolstoi and Dostoevsky_,
M. preserved his first impression of that reading by saying that it
surpasses the bounds of the possible in its concentrated expression of
horror. A. G. Dostoevsky hesitated to publish the chapter in full, and
gave parts of it only in her edition of 1906 as a supplement to _The
Possessed_. Her hesitation is understandable: Stavrogin’s terrible
confession was not a complete secret even to Dostoevsky’s
contemporaries. Excluded from the novel at Katkov’s request, the
Confession became known by hearsay, and round these rumours grew up the
dark legend of Dostoevsky as a Marquis de Sade. It was the doing of his
enemies and of faithless friends.[91] But the feeling which kept the
author’s widow from publishing the fragment of _The Possessed_ must not
restrain the student of Dostoevsky. Indeed, the dark legend that
Dostoevsky was a sensualist is based (by N. Strakhov chiefly) either on
an obscure calumny, or on coarse and callous surmises as to the mystery
of that troubled and too exacting conscience which was the mark of
Dostoevsky’s character. And we believe that the surest way of freeing
Dostoevsky’s memory from those false accusations is by means of open
enquiry and the fullest understanding of Dostoevsky as an artist.
Footnote 91:
See Turgenev’s letter of Sept. 24, 1882, to Schedrin; also N. N.
Strakhov’s letter of Nov. 28, 1883, to Leo Tolstoi.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account