Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
"You remember, no doubt," said Mr. Acres, "the inscription, in large
gilt letters, that covered the front of our old gallery--'This gallery
was erected A.D. 1716, Thomas Grubb and Matthew Stokes, Churchwardens;
enlarged, and newly painted and ornamented, A.D. 1760, Peter Jenks and
Samuel Styles, Churchwardens.' I believe I have read that inscription
thousands of times, and those names used even to haunt me in my dreams.
Had those churchwardens been four of the greatest saints in the
calendar, it would have been gross impiety to emblazon their names so
conspicuously as thus to force them upon one's notice during the whole
service. If, however, tradition does not speak falsely of them, those
men were by no means too correct either in their private life or in
their parish accounts. But let them be never so good, people who go to
church for Christian worship, don't wish to have the names and exploits
of these worthy or unworthy men staring them in the face every moment
they are there. But I beg your pardon, Mr. Vicar, I interrupted you when
you were speaking of the pulpit."
"Well, you know, when the gallery had reached the ceiling, it could go
no higher; but then its upper tenants could no longer see the preacher.
So the pulpit rose too, and, to enable all to see it, sometimes took its
place just in front of the altar, so as completely to hide that from
most of the congregation; nay, I have seen it even over the altar
itself[84]. Then the prayer-desk came climbing up after the pulpit; and
then the clerk's desk came creeping up below them, till that, too,
became one of the most conspicuous and important objects of the church.
Thus the three together grew into that clumsy, unsightly mass which has
been not inaptly called the _Three Decker_!"
"Ah, I shall never forget poor old Mowforth's perplexity," said Mr.
Acres, "when he looked about for his peculiar box in our restored
church. First he looked doubtingly at your prayer-desk; then he examined
the lectern from which you read the lessons; then he looked with some
faint hope at the pulpit; at last he came to me, and said, 'Please, sir,
which of these is to be my place?' and his look of dismay was
indescribable when I told him that, as you intended that henceforth the
choir should lead the responses, he would be absorbed in the
congregation, and would in future be able to take his place with the
rest of his family. But the man is a sensible fellow, and he confessed
to me the other day that he considers the new arrangement a great
improvement, and wonders that the people could have so long endured the
duet service in which only the voices of the parson and himself could be
heard. But we have again wandered a little from our subject. Let us go
back to the pulpit; it must have a history of its own, like every other
part of the church. Will you kindly enlighten me and our friend here on
the subject? for it must be one of much interest to us both."
Public-domain text, read in full here on John Shaqi.
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