Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
"Pardon me, my friend, but I am ignorant as to what you mean by the word
_parclose_."
"I refer now to the screen which encloses the chancel on the north and
south sides; but I believe the word may apply to any screen in the
church. By means of these screens, however, the persons in the transepts
are needlessly excluded from a view of the altar."
"Yes; but the change in them which you suggest would not fully meet the
difficulty, even if a squint or hagioscope should also be provided."
"I see that," said the Vicar; "and for that reason I would, as a rule,
only have those portions of the transepts nearest the chancel fitted
with permanent seats. On special occasions chairs could be placed in the
back parts; or, perhaps, the whole of the transepts might be given up to
the children of the parochial schools, the elder children, who could
best understand the nature of the services, being placed in the front."
"A very proper arrangement, indeed, I should think, for all of them
would be able at least to _hear_, and they would be conveniently placed
for assisting in the musical parts of the service. It has often struck
me as the refinement of cruelty to place these children in the remote
damp corners of country churches, where too often they are to be found;
or, worse still, in the topmost galleries of city churches, where the
air they breathe is heated and impure. In both cases there is a manifest
unconcern as well for the temporal as for the spiritual welfare of these
little ones of Christ's flock."
"To whatever use, however, they may be applied, or even if they are
entirely unappropriated, so far as regards affording accommodation for
the congregation, I would, by all means, wherever practicable, retain
the transeptal arrangement of our churches, not only as being the most
ornamental form of structure, but as preserving in the entire building
the distinct form of the _Cross_; and as symbolizing in the gathering
together of each congregation of Christ's Church--which is _His Body_,
that Body itself. Thus the nave represents the body, the transepts the
outstretched arms, and the chancel--being the most excellent part of the
church--the head[128] of our Lord. Some perhaps might think it fanciful,
but to me there is something very solemn and beautiful in the idea, not
only of the church's whole fabric assuming these symbolic forms, but
also of the united prayers and praises of the congregation making, as it
were, in their very sound _the sign of the Cross_."
"I think so too. And to my mind it has always seemed that the grand
symbolism which looks through, as it were, the _whole_ fabric of the
church, and the _whole_ congregation therein assembled, was formerly
much marred in our churches, when there were _many_ altars, dedicated to
_many_ saints, instead of the _one_ altar, which we now only retain,
dedicated to the _one Head_ of the Christian Church."
Public-domain text, read in full here on John Shaqi.
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