SECTION X. And now I wish that the reader, before I bring him into St.
Mark's Place, would imagine himself for a little time in a quiet English
cathedral town, and walk with me to the west front of its cathedral. Let
us go together up the more retired street, at the end of which we can
see the pinnacles of one of the towers, and then through the low gray
gateway, with its battlemented top and small latticed window in the
centre, into the inner private-looking road or close, where nothing goes
in but the carts of the tradesmen who supply the bishop and the chapter,
and where there are little shaven grass-plots, fenced in by neat rails,
before old-fashioned groups of somewhat diminutive and excessively trim
houses, with little oriel and bay windows jutting out here and there,
and deep wooden cornices and eaves painted cream color and white, and
small porches to their doors in the shape of cockle-shells, or little,
crooked, thick, indescribable wooden gables warped a little on one side;
and so forward till we come to larger houses, also old-fashioned, but of
red brick, and with gardens behind them, and fruit walls, which show
here and there, among the nectarines, the vestiges of an old cloister
arch or shaft, and looking in front on the cathedral square itself, laid
out in rigid divisions of smooth grass and gravel walk, yet not
uncheerful, especially on the sunny side where the canons' children are
walking with their nurserymaids. And so, taking care not to tread on the
grass, we will go along the straight walk to the west front, and there
stand for a time, looking up at its deep-pointed porches and the dark
places between their pillars where there were statues once, and where
the fragments, here and there, of a stately figure are still left, which
has in it the likeness of a king, perhaps indeed a king on earth,
perhaps a saintly king long ago in heaven; and so higher and higher up
to the great mouldering wall of rugged sculpture and confused arcades,
shattered, and gray, and grisly with heads of dragons and mocking
fiends, worn by the rain and swirling winds into yet unseemlier shape,
and colored on their stony scales by the deep russet-orange lichen,
melancholy gold; and so, higher still, to the bleak towers, so far above
that the eye loses itself among the bosses of their traceries, though
they are rude and strong, and only sees like a drift of eddying black
points, now closing, now scattering, and now settling suddenly into
invisible places among the bosses and flowers, the crowd of restless
birds that fill the whole square with that strange clangor of theirs, so
harsh and yet so soothing, like the cries of birds on a solitary coast
between the cliffs and sea.
Public-domain text, read in full here on John Shaqi.
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