England -- Fiction; English fiction -- 19th century; Short stories, English
"Certainly not," broke in Fennel. "We don't increase and multiply
every day, and I'll fill the mug again." He went away to the dark
place under the stairs where the barrel stood. The shepherdess
followed him.
"Why should you do this?" she said, reproachfully, as soon as they
were alone. "He's emptied it once, though it held enough for ten
people; and now he's not contented wi' the small, but must needs
call for more o' the strong! And a stranger unbeknown to any of
us! For my part, I don't like the look o' the man at all."
"But he's in the house, my honey, and 'tis a wet night, and a
christening. Daze it, what's a cup of mead more or less? There'll
be plenty more next bee-burning."
"Very well--this time, then," she answered, looking wistfully at
the barrel. "But what is the man's calling, and where is he one
of, that he should come in and join us like this?"
"I don't know. I'll ask him again."
The catastrophe of having the mug drained dry at one pull by the
stranger in cinder gray was effectually guarded against this time
by Mrs. Fennel. She poured out his allowance in a small cup, keeping
the large one at a discreet distance from him. When he had tossed
off his portion the shepherd renewed his inquiry about the stranger's
occupation.
The latter did not immediately reply, and the man in the
chimney-corner, with sudden demonstrativeness, said, "Anybody may
know my trade --I'm a wheelwright."
"A very good trade for these parts," said the shepherd.
"And anybody may know mine-if they've the sense to find it out,"
said the stranger in cinder gray.
"You may generally tell what a man is by his claws," observed the
hedge-carpenter, looking at his hands. "My fingers be as full of
thorns as an old pincushion is of pins."
The hands of the man in the chimney-corner instinctively sought
the shade, and he gazed into the fire as he resumed his pipe. The
man at the table took up the hedge-carpenter's remark, and added
smartly, "True; but the oddity of my trade is that, instead of
setting a mark upon me, it sets a mark upon my customers."
No observation being offered by anybody in elucidation of this
enigma, the shepherd's wife once more called for a song. The same
obstacles presented themselves as at the former time: one had
no voice, another had forgotten the first verse. The stranger at
the table, whose soul had now risen to a good working temperature,
relieved the difficulty by exclaiming that, to start the company,
he would sing himself. Thrusting one thumb into the armhole of
his waistcoat, he waved the other hand in the air, and, with an
extemporising gaze at the shining sheep-crooks above the mantelpiece,
began:
"Oh, my trade it is the rarest one,
Simple shepherds all,
My trade is a sight to see;
For my customers I tie, and take them up on high,
And waft 'em to a far countree."
Public-domain text, read in full here on John Shaqi.
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