England -- Fiction; English fiction -- 19th century; Short stories, English
The company seemed scared; the shepherd looked with consternation
toward the entrance, and it was with some effort that he resisted
his alarmed wife's deprecatory glance, and uttered for the third
time the welcoming words, "Walk in!"
The door was gently opened, and another man stood upon the mat.
He, like those who had preceded him, was a stranger. This time it
was a short, small personage, of fair complexion, and dressed in
a decent suit of dark clothes.
"Can you tell me the way to--" he began; when, gazing round the
room to observe the nature of the company among whom he had fallen,
his eyes lighted on the stranger in cinder gray. It was just at
the instant when the latter, who had thrown his mind into his song
with such a will that he scarcely heeded the interruption, silenced
all whispers and inquiries by bursting into his third verse:
"To-morrow is my working-day,
Simple shepherds all,
To-morrow is a working-day for me;
For the farmer's sheep is slain, and the lad who did it ta'en,
And on his soul may God ha' merc-y!"
The stranger in the chimney-corner, waving cup with the singer so
heartily that his mead splashed over on the hearth, repeated in
his bass voice as before:
"And on his soul may God ha' mercy!"
All this time the third stranger had been standing in the doorway.
Finding now that he did not come forward or go on speaking, the
guests particularly regarded him. They noticed, to their surprise,
that he stood before them the picture of abject terror--his knees
trembling, his hand shaking so violently that the door-latch, by
which he supported himself, rattled audibly; his white lips were
parted, and his eyes fixed on the merry officer of justice in the
middle of the room. A moment more, and he had turned, closed the
door, and fled.
"What a man can it be?" said the shepherd.
The rest, between the awfulness of their late discovery and the odd
conduct of this third visitor, looked as if they knew not what to
think, and said nothing. Instinctively they withdrew farther and
farther from the grim gentleman in their midst, whom some of them
seemed to take for the prince of darkness himself, till they formed
a remote circle, an empty space of floor being left between them
and him--
"Circulus, cujus centrum diabolus."
The room was so silent--though there were more than twenty people
in it--that nothing could be heard but the patter of the rain against
the window-shutters, accompanied by the occasional hiss of a stray
drop that fell down the chimney into the fire, and the steady
puffing of the man in the corner, who had now resumed his pipe of
long clay.
The stillness was unexpectedly broken. The distant sound of a gun
reverberated through the air, apparently from the direction of the
county town.
"Be jiggered!" cried the stranger who had sung the song, jumping
up.
"What does that mean?" asked several.
"A prisoner escaped from the gaol--that 's what it means."
Public-domain text, read in full here on John Shaqi.
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