English fiction -- 19th century; Sea stories, English
Although the Chrysolite carried five boats, no less than four of them
were unseaworthy. In those days the examination of an outward-bound
ship was slurred over, with the natural consequence that the
marine law was more frequently broken than observed. The only boat
on board the Chrysolite worth launching was the life-boat, which
stood bottom upward between the main and mizzen masts. At the cry
"To the boats!" there was a rush for her. But Anderson is first.
He carries in his hand a small axe, meant for clearing away light
wreckage. With a vigorous blow the life-boat is stove in. The men
stop short, daunted. He turns about and faces them, looking like
an angry Titan.
"Now then, you hell-hounds, wear the ship or sink!" They see he
means to be master to the end.
It is too late even for imprecation. The men literally spring to
their work, with an alacrity begot of desperation. Every moment is
of the utmost value, for the reef is very close and the horrible
breakers are in all ears.
Anderson himself holds the wheel. He has put the helm up, and soon
the great ship, with swelling sails, breaks out of the current.
He feels the change in an instant; the hands know it too. But the
danger is not past. Leaving the wheel to another, he runs quickly
forward to lean over the weather-rail. As he passes through the
crowd on the fo'castle, the poor fellows cheer him ringingly. The
fine old seaman doffs his cap and makes them a grand, manly bow.
He glances at the reef and then mutters quietly to himself, "She
will never clear it, and God forgive me!" Then, wheeling round, he
gives a command.
"Let go both anchors; it is our only chance!"
Many hearts sink at the order, but in as few moments as possible
the cables are smoking through the hawse-pipes. The anchors touch
bottom, and hold. All hands clutch the stanchions or shrouds in
anticipation of the shock. It comes. The ship, racing on, is brought
up with a round turn of such sudden force as to shake every nail
in her timbers. Aloft there is crash upon crash, and the lighter
spars come showering on to the deck, bringing with them ragged
remnants of canvas. One man is struck down. The hawsers hum with
strenuous vibration. The timbers at the bluff of the bow crack
almost vertically, until the ship's nose is well-nigh torn out.
The tension is too great and the port cable snaps. The starboard
one is tougher. But were it ever so tough it would not save the
ship, for its anchor is dragging. Back she sags, gathered into her
doom by the whitening waters; until at length, thus lifted along,
her keel rests athwart the bank, and she heels over. Her sailing
days are done. As the consecutive seas sweep up the reef, she lifts
her head and drops it again and again, like a poor recumbent brute
in its death-hour. But the wind must sometime cease, and the waves
forget their anger. Then will she take a long repose, leaning on
her shattered side--the very type of a picturesque wreck.
Public-domain text, read in full here on John Shaqi.
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