As the young mother opened the door, Tilly entered the parlor. For a second she stood and stared grimly about her. The furniture of the room was old-fashioned but in the best repair. There was a cabinet organ in one corner. A crayon portrait of Tilly's father (killed in the civil war) glared out of a florid gilt frame. Perhaps it was the fault of the portrait, but he had a peevish frown. There were two other portraits of him, large ghastly gray tintypes in oval frames of rosewood, obscurely suggesting coffins. In these he looked distinctly sullen. He was represented in uniform (being a lieutenant of volunteers), and the artist had conscientiously gilded his buttons until, as Mrs. Louder was wont to observe, “It most made you want to cut them off with the scissors.” There were other tintypes and a flock of photographs in the room. What Mrs. Louder named “a throw” decorated each framed picture and each chair. The largest arm-chair was drawn up to a table covered with books and magazines: in the chair sat Mrs. Louder, reading. At Tilly's entrance she started and turned her head, and then one could see that the tears were streaming down her cheeks. “Now, MOTHER!” exploded Tilly. Kicking the door open, she marched into the bed-chamber. An indignant sweep of one arm sent the miscellany of gifts into a rocking-chair; an indignant curve of the other landed the baby on the bed. Tilly turned on her mother. “Now, mother, what did you promise--HUSH! will you?” (The latter part of the sentence a fierce “ASIDE” to the infant on the bed.) In a second Mrs. Louder's arms were encircling him, and she was soothing him on her broad shoulder, where I know not how many babies have found comfort. Jane Louder was a tall woman--tall and portly. She had a massive repose about her, a kind of soft dignity; and a stranger would not guess how tender was her heart. Deprecatingly she looked up at her only child, standing in judgment over her. Her eyes were fine still, though they had sparkled and wept for more than half a century. They were not gray, like Tilly's, but a deep violet, with black eyelashes and eyebrows. Black, once, had been the hair under the widow's cap, now streaked with silver; but Jane Louder's skin was fresh and daintily tinted like her daughter's, for all its fine wrinkles. Her voice when she spoke was mellow and slow, with a nervous vibration of apology. “Never mind, dear,” she said, “I was just reading 'bout the Russians.” “I KNEW it! You promised me you wouldn't cry about the Russians any more.” “I know, Tilly, but Alma Brown lent this to me, herself. There's a beautiful article in it about 'The Horrors of Hunger.' It would make your heart ache! I wish you would read it, Tilly.”