Biography -- Juvenile literature; Boys -- Biography
At this time the president of the Academy was the great painter,
Benjamin West. Chantrey thought that if West would allow him to make
a bust of him, it would do much to bring his work before the public,
so he asked West to sit for a portrait in plaster. West was an
unusually kind, but at the same time, a very busy man. He was at
that time painting a great picture: "Christ Healing the Sick." He
told Chantrey that if he were willing to catch his likeness as he
worked away at his picture, he was welcome to try. Chantrey was
pleased with the offer and for many days he sat and moulded the
plaster, as West worked at his task. The bust Chantrey did at this
time can now be seen at the Royal Academy in London. Soon afterwards
he made a bust of Mr. Samuel Shore, for which he received one hundred
guineas; by far the largest sum he had ever been paid. He gave up
painting altogether, for he was now fairly well established as a
sculptor.
At that time there was living in London a very brilliant man, named
Horn Tooke. Chantrey made a bust in plaster of this man and sent it
to the exhibition. It looked at first as though there would not be a
place for it there, but another sculptor, Mr. Joseph Nollekens, saw
it and was much impressed. He was not jealous, but said: "This is a
fine, a very fine bust; let the man who made it be known. Remove one
of my busts and put it in its place, for it well deserves it." This
was a great thing for Chantrey, for this bust aroused a great deal of
interest, and he soon received commissions to do work which brought
him more than twelve thousand pounds.
Very soon after this something happened which helped to bring Francis
Chantrey more to the front than ever and to establish him as "The
Prince of British Sculptors". In 1811 it was decided to erect a
statue of King George III. Naturally there was a great deal of
excitement among sculptors; all were anxious to receive the honour of
doing it. A committee was formed to choose a sculptor. Fifteen of
the greatest sculptors submitted designs to the committee, and the
members decided that Chantrey's was the best, and so he was given the
important task of doing it.
As soon as it was known that the commission had been given to Francis
Chantrey, he had the news conveyed to his mother. He knew that it
would give her great pleasure; and indeed it did, for she burst into
tears. It seemed to her marvellous that her boy, who only a few
years before had drawn pictures on the kitchen floor, should be
chosen to design a statue of the king. There was great stir and
excitement in the village of Norton. The wonderful tidings spread
from cottage to cottage. "Francis Chantrey has been chosen to make
the king's statue," was the news that everybody was repeating.
Public-domain text, read in full here on John Shaqi.
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