Straws and prayer-books; dizain des diversionsCabell, James Branch
Philosophy
Straws and prayer-books; dizain des diversions
Cabell, James Branch
Authorship
Of course the truth was that these figures, for one reason or another
as yet unrevealed to me, were such as, for that reason, appealed to
a majority of creating romanticists. They were toys with which, for
howsoever veiled causes, the artist peculiarly delighted to play. It
might, I guessed, have been the element of dubiety which fascinated,
and the half-vexed feeling that, when all which is apparent to sense
and rationality had been checked off and labeled, much yet remained
amenable to neither. It might be, just as I had said, the pith of
such myths' durability that the felt symbolism admits of no quite
final interpreting; and so arouses the not utterly rational suspicion
that the whole truth about these mythic figures has never yet been
apprehended by anybody.
§ 34
Strikingly did this seem exemplified by the perennial magic of Pan.
His epopee, as taken over by the artist, was virtually eventless. Pan
figured in no story of marked interest or importance. He merely was:
and what he was, nobody had presumed to voice with any precision.
Pan was but indicated--always with a queer effect of the narrator's
suspecting somebody might, undesirably, be eavesdropping,--by this
vague talk about a hirsute wanderer with the horns and feet of a goat
and a taste for pipe-playing: these features were, you knew, not the
essentials. Such tales recorded only small and immaterial truths,
as if--you somehow knew,--you were to define the Pope as an elderly
Catholic who wears underclothing and eats breakfast, or a duly
nominated candidate for the White House as a Protestant of unexigent
honesty. So the creating romanticist had begun to divert himself with
guesses about Pan: and now these guesses filled libraries.
But Pan was not in the library. He was afield, he was in all the
magazines for the month after next now on the news-stands, having quite
fresh adventures, which yet-living poets were under a tribal bond to
contrive for him. In the records of English literature research might
look in vain for any considerable poet who had not paid his scot of
contriving some fresh adventure for Pan, and Pan yet roved the jungle
of free verse. Pan, alone of the old Hellenic gods, had thus lived on,
and had survived all his peers. Pan would not, to be sure, especially
regret them, since he had never forgathered with the other gods....
Public-domain text, read in full here on John Shaqi.
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