Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
But the Countess had turned pale, for a new anxiety had lately troubled
her, and the sudden arrival of the painter seemed to her as painful a
menace as anything she might have been able to foresee.
“You will go to meet him with the carriage,” she said to her daughter.
“And will you not come, too, mamma?”
“No, I will wait for you here.”
“Why? That will hurt him.”
“I do not feel very well.”
“You wished to walk as far as Berville just now.”
“Yes, but my breakfast has made me feel ill.”
“You will feel better between now and the time to go.”
“No, I am going up to my room. Let me know as soon as you arrive.”
“Yes, mamma.”
After giving orders that the phaeton should be ready at the proper hour,
and that a room be prepared, the Countess returned to her own room, and
shut herself in.
Up to this time her life had passed almost without suffering, affected
only by Olivier's love and concerned only by her anxiety to retain
it. She had succeeded, always victorious in that struggle. Her heart,
soothed by success and by flattery, had become the exacting heart of a
beautiful worldly woman to whom are due all the good things of earth,
and, after consenting to a brilliant marriage, with which affection had
nothing to do, after accepting love later as the complement of a happy
existence, after taking her part in a guilty intimacy, largely from
inclination, a little from a leaning toward sentiment itself as a
compensation for the prosaic hum-drum of daily life, had barricaded
itself in the happiness that chance had offered her, with no other
desire than to defend it against the surprises of each day. She had
therefore accepted with the complacency of a pretty woman the agreeable
events that occurred; and, though she ventured little, and was troubled
little by new necessities and desires for the unknown; though she
was tender, tenacious, and farseeing, content with the present, but
naturally anxious about the morrow, she had known how to enjoy the
elements that Destiny had furnished her with wise and economical
prudence.
Now, little by little, without daring to acknowledge it even to herself,
the vague preoccupation of passing time, of advancing age, had glided
into her soul. In her consciousness it had the effect of a gnawing
trouble that never ceased. But, knowing well that this descent of life
was without an end, that once begun it never could be stopped, and
yielding to the instinct of danger, she closed her eyes in letting
herself glide along, that she might retain her dream, that she might not
be seized with dizziness at sight of the abyss or be made desperate by
her impotence.
Public-domain text, read in full here on John Shaqi.
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